Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 289

As in Emile Cohl's violent transfigurations of Pierrot in Fantasmagorie (1908), the malleability and
transformative power of animation have been a convention since the beginnings of the form.

Similarly, Max Fleischer eletrocuted Ko-Ko in hopes of getting him to obey in The Cartoon Factory (1924), Rudy Ising put Bosko back into the inkwell in Bosko the Talk-Ink Kid (1929), and Winsor McCay's first screen performance famously contorting and stretching Flip and Impy in Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics (1911).
Comment on this page

Discussion of "Conclusion, Page 289"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 10 of 19 Next page on path

Related:  Performance, Page 44Space, Page 143Space, Page 148Conclusion, Page 298Space, Page 191Performance, Page 76Race, Page 254Introduction, Page 29Performance, Page 60Performance, Page 43Race, Page 224Introduction, Page 6Space, Page 169Introduction, Page 21Labor, Page 88Space, Page 187Space, Page 189Performance, Page 45Space, Page 155Labor, Page 119Space, Page 177Race, Page 231Performance, Page 72Space, Page 193Race, Page 248Conclusion, Page 302Race, Page 253Performance, Page 56Space, Page 175Labor, Page 129Race, Page 239Race, Page 232Race, Page 252Labor, Page 110Race, Page 206Space, Page 190Performance, Page 52Space, Page 150Space, Page 182Space, Page 172Introduction, Page 2Labor, Page 123Conclusion, Page 296Space, Page 194Performance, Page 34Race, Page 258Space, Page 138Race, Page 225Race, Page 221Performance, Page 77Labor, Page 122Space, Page 152Labor, Page 115Space, Page 197Conclusion, Page 291Labor, Page 96Labor, Page 131Performance, Page 41Race, Page 230Space, Page 178Labor, Page 97Conclusion, Page 286Race, Page 261Labor, Page 109Space, Page 195Introduction, Page 4Introduction, Page 14Race, Page 229Performance, Page 74Conclusion, Page 300Conclusion, Page 292Space, Page 165Labor, Page 98Space, Page 162Labor, Page 101Space, Page 181Space, Page 184Performance, Page 35Race, Page 220Performance, Page 78Race, Page 235Conclusion, Page 273Space, Page 159Space, Page 146Performance, Page 62Performance, Page 82Space, Page 141Introduction, Page 1Conclusion, Page 284Performance, Page 42Conclusion, Page 290Conclusion, Page 304Labor, Page 102Performance, Page 54Race, Page 251Space, Page 137Space, Page 170Performance, Page 50Conclusion, Page 268Labor, Page 128Space, Page 156Space, Page 188Space, Page 166Labor, Page 113Space, Page 192Performance, Page 47Labor, Page 112Performance, Page 46Race, Page 219Race, Page 213Race, Page 247Labor, Page 133Performance, Page 84Space, Page 171Introduction, Page 23Conclusion, Page 275Introduction, Page 30Space, Page 163Space, Page 183Race, Page 204Conclusion, Page 278Conclusion, Page 303Introduction, Page 20Performance, Page 70Labor, Page 132Introduction, Page 9Labor, Page 93Race, Page 242