Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 289

As in Emile Cohl's violent transfigurations of Pierrot in Fantasmagorie (1908), the malleability and
transformative power of animation have been a convention since the beginnings of the form.

Similarly, Max Fleischer eletrocuted Ko-Ko in hopes of getting him to obey in The Cartoon Factory (1924), Rudy Ising put Bosko back into the inkwell in Bosko the Talk-Ink Kid (1929), and Winsor McCay's first screen performance famously contorting and stretching Flip and Impy in Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics (1911).
Comment on this page

Discussion of "Conclusion, Page 289"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 10 of 19 Next page on path

Related:  Labor, Page 128Performance, Page 60Space, Page 162Space, Page 182Labor, Page 110Race, Page 206Space, Page 190Labor, Page 109Introduction, Page 30Space, Page 181Labor, Page 112Performance, Page 46Space, Page 197Race, Page 254Labor, Page 113Performance, Page 50Labor, Page 88Conclusion, Page 304Labor, Page 98Space, Page 175Introduction, Page 6Race, Page 230Space, Page 155Race, Page 225Performance, Page 77Introduction, Page 29Performance, Page 42Performance, Page 56Labor, Page 133Space, Page 156Race, Page 221Space, Page 143Race, Page 251Introduction, Page 23Race, Page 235Performance, Page 44Space, Page 188Performance, Page 84Space, Page 150Race, Page 204Space, Page 148Race, Page 247Introduction, Page 1Conclusion, Page 286Space, Page 152Performance, Page 72Labor, Page 123Performance, Page 45Space, Page 146Race, Page 239Space, Page 172Space, Page 194Performance, Page 47Conclusion, Page 298Race, Page 232Conclusion, Page 302Space, Page 170Space, Page 138Conclusion, Page 300Performance, Page 41Race, Page 229Performance, Page 34Space, Page 163Labor, Page 119Race, Page 258Performance, Page 74Space, Page 195Space, Page 189Labor, Page 122Space, Page 191Space, Page 193Space, Page 171Space, Page 183Labor, Page 115Conclusion, Page 290Space, Page 166Conclusion, Page 284Conclusion, Page 291Introduction, Page 2Conclusion, Page 296Space, Page 178Race, Page 224Space, Page 187Introduction, Page 20Race, Page 231Race, Page 242Space, Page 141Introduction, Page 21Conclusion, Page 273Performance, Page 52Race, Page 220Performance, Page 35Labor, Page 97Labor, Page 96Space, Page 177Race, Page 252Performance, Page 43Space, Page 165Labor, Page 101Conclusion, Page 303Conclusion, Page 268Labor, Page 132Race, Page 248Race, Page 261Race, Page 213Conclusion, Page 292Race, Page 253Space, Page 184Performance, Page 54Introduction, Page 14Introduction, Page 4Performance, Page 78Race, Page 219Performance, Page 70Conclusion, Page 275Labor, Page 131Labor, Page 129Space, Page 192Space, Page 169Introduction, Page 9Performance, Page 82Space, Page 159Performance, Page 62Performance, Page 76Conclusion, Page 278Space, Page 137Labor, Page 102Labor, Page 93