Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 4 of 21
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 97

Before founding his own animation studio with his brothers, Max Fleischer worked for John Randolph Bray, producing military training films during World War I, and was also an art editor for Popular Science Monthly. 

In this article from 1917, titled "Home-Made Paper Motion Pictures," Max gives a detailed account of how to produce moving images and exhibit them to friends at home. Introducing inventor Hartwell W. Webb's home projector and camera, he describes the nascent technologies of the moment—such a camera that weighs only fifteen pounds!
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Labor, Page 97"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 4 of 21 Next page on path
Max Fleischer    1910s    Text    John Randolph Bray

Related:  Performance, Page 45,  Performance, Page 44,  Performance, Page 54,  Labor, Page 98,  Performance, Page 46,  Space, Page 146,  Conclusion, Page 290,  Performance, Page 78,  Conclusion, Page 291,  Performance, Page 56,  Race, Page 253,  Conclusion, Page 289,  Performance, Page 74,  Space, Page 190,  Performance, Page 43,  Performance, Page 77,  Performance, Page 52,  Space, Page 175,  Labor, Page 88,  Space, Page 155,  Performance, Page 35,  Race, Page 206,  Labor, Page 96,  Performance, Page 50,  Space, Page 152,  Introduction, Page 9,  Labor, Page 119,  Space, Page 166,  Race, Page 247,  Race, Page 231,  Labor, Page 110,  Space, Page 172