Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 22 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 254

In Ko-Ko the Barber (1925), Max Fleischer is tricked into blacking up when Ko-Ko slips out of his animated world and into his shaving cream.

Early animated characters seemed to resist the animator's hand, yet this illusion of resistance was created by the animators themselves. Later, this trope was given a twist in Daffy Duck's interplay with his animator in Duck Amuck (1953).
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Race, Page 254"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 22 of 25 Next page on path
Dave Fleischer    Moving Image    Daffy Duck    Black and White    1920s    Color    With Live Characters (Animators)    Warner Bros    1950s    Ko-Ko the Clown    Cartoons    Bugs Bunny

Related:  Space, Page 146,  Race, Page 230,  Conclusion, Page 302,  Conclusion, Page 304,  Performance, Page 74,  Labor, Page 132,  Performance, Page 77,  Conclusion, Page 275,  Race, Page 231,  Space, Page 165,  Race, Page 204,  Labor, Page 88,  Race, Page 251,  Performance, Page 41,  Performance, Page 72,  Conclusion, Page 298,  Introduction, Page 6,  Race, Page 239,  Conclusion, Page 291,  Performance, Page 35,  Space, Page 193,  Conclusion, Page 290,  Labor, Page 122,  Labor, Page 113,  Performance, Page 82,  Race, Page 258,  Conclusion, Page 300,  Labor, Page 123,  Conclusion, Page 292,  Space, Page 152,  Conclusion, Page 289,  Labor, Page 102,  Performance, Page 84,  Space, Page 138,  Race, Page 261,  Performance, Page 70,  Space, Page 175,  Conclusion, Page 273,  Labor, Page 133,  Labor, Page 128,  Race, Page 253,  Conclusion, Page 286,  Space, Page 181,  Race, Page 235,  Performance, Page 47,  Performance, Page 43,  Race, Page 252,  Performance, Page 54,  Introduction, Page 21,  Space, Page 187,  Race, Page 220,  Race, Page 232,  Space, Page 159,  Race, Page 224,  Labor, Page 109,  Labor, Page 112,  Space, Page 182,  Performance, Page 44,  Space, Page 141,  Space, Page 148,  Labor, Page 101,  Labor, Page 110,  Space, Page 189,  Labor, Page 98,  Introduction, Page 29,  Space, Page 194,  Race, Page 229,  Conclusion, Page 303,  Space, Page 155,  Space, Page 177,  Labor, Page 119,  Space, Page 190,  Space, Page 188,  Labor, Page 96,  Race, Page 242,  Space, Page 195,  Space, Page 166,  Introduction, Page 2,  Performance, Page 34,  Race, Page 247,  Performance, Page 45,  Introduction, Page 1,  Performance, Page 42,  Race, Page 206,  Labor, Page 129,  Space, Page 150,  Introduction, Page 4,  Conclusion, Page 284,  Conclusion, Page 296,  Space, Page 143,  Space, Page 172,  Race, Page 225,  Space, Page 162,  Space, Page 191,  Race, Page 221,  Space, Page 178,  Space, Page 169,  Race, Page 248,  Performance, Page 46,  Introduction, Page 14,  Space, Page 156,  Performance, Page 52,  Performance, Page 76,  Performance, Page 50,  Space, Page 183,  Space, Page 197,  Labor, Page 93,  Space, Page 184,  Race, Page 213,  Performance, Page 60,  Space, Page 163,  Introduction, Page 30,  Space, Page 170,  Conclusion, Page 268,  Introduction, Page 23,  Conclusion, Page 278