Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 22 of 25

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 254

In Ko-Ko the Barber (1925), Max Fleischer is tricked into blacking up when Ko-Ko slips out of his animated world and into his shaving cream.

Early animated characters seemed to resist the animator's hand, yet this illusion of resistance was created by the animators themselves. Later, this trope was given a twist in Daffy Duck's interplay with his animator in Duck Amuck (1953).
Comment on this page
 

Discussion of "Race, Page 254"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 22 of 25 Next page on path

Related:  Space, Page 188Space, Page 156Space, Page 150Race, Page 239Space, Page 163Space, Page 193Space, Page 143Conclusion, Page 268Performance, Page 45Space, Page 197Performance, Page 72Introduction, Page 29Conclusion, Page 286Race, Page 231Race, Page 252Space, Page 187Performance, Page 70Labor, Page 123Race, Page 230Labor, Page 88Performance, Page 82Performance, Page 50Labor, Page 112Introduction, Page 23Conclusion, Page 289Race, Page 253Race, Page 248Race, Page 221Race, Page 206Performance, Page 44Race, Page 225Labor, Page 119Labor, Page 122Performance, Page 54Race, Page 258Introduction, Page 14Performance, Page 34Space, Page 182Conclusion, Page 303Space, Page 172Conclusion, Page 300Race, Page 247Space, Page 194Labor, Page 98Performance, Page 47Introduction, Page 4Space, Page 190Performance, Page 74Race, Page 213Space, Page 191Labor, Page 132Race, Page 229Space, Page 181Introduction, Page 21Performance, Page 42Race, Page 261Space, Page 170Conclusion, Page 296Conclusion, Page 304Space, Page 169Space, Page 148Performance, Page 77Labor, Page 101Performance, Page 46Introduction, Page 1Race, Page 204Space, Page 175Space, Page 141Labor, Page 129Space, Page 162Labor, Page 110Space, Page 189Race, Page 232Space, Page 178Performance, Page 35Performance, Page 84Labor, Page 113Race, Page 242Space, Page 146Space, Page 152Conclusion, Page 292Conclusion, Page 290Space, Page 165Race, Page 224Conclusion, Page 302Space, Page 159Space, Page 177Labor, Page 102Space, Page 155Race, Page 251Race, Page 235Conclusion, Page 298Labor, Page 133Space, Page 138Labor, Page 109Introduction, Page 6Race, Page 220Performance, Page 43Conclusion, Page 291Labor, Page 96Introduction, Page 2Labor, Page 128Space, Page 166Performance, Page 60Space, Page 195Labor, Page 93Space, Page 183Introduction, Page 30Performance, Page 41Conclusion, Page 278Conclusion, Page 273Performance, Page 76Performance, Page 52Space, Page 184Conclusion, Page 284Conclusion, Page 275