Space, Page 172

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

Space, page 19 of 36

Previous page on path Next page on path

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 172

The Paramount Publix Opinion pairs a review of the short Si, Si, Senor with the Fleischer Talkartoon Swing You Sinners! (1930), which trades on minstrel stereotypes.

The reviewer suggests how to fit the cartoon in film programs and describes the it as "a new and radical idea in cartooning." The short features an early version of the minstrel figure Bimbo and opens with him attempting to steal a chicken, pursued by the police and ending up in a graveyard of animated tombstones who warn him to change his no-account ways. The song is a parody of the popular tune "Sing You Sinners" and is one of many instances in which the Fleischers celebrated popular culture while reinscribing racial stereotypes.

Comment on this page

Local Discussion

Popout

Discussion of "Space, Page 172"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path

Space, page 19 of 36

Next page on path

Max Fleischer Dave Fleischer Image Moving Image Sound Black and White 1930s Cartoons

Related: Race, Page 253, Race, Page 251, Space, Page 191, Performance, Page 34, Space, Page 165, Performance, Page 62, Race, Page 206, Performance, Page 74, Space, Page 190, Labor, Page 119, Race, Page 224, Labor, Page 102, Space, Page 146, Race, Page 221, Race, Page 258, Space, Page 178, Labor, Page 88, Space, Page 143, Space, Page 148, Race, Page 239, Conclusion, Page 298, Space, Page 177, Conclusion, Page 292, Introduction, Page 2, Space, Page 187, Introduction, Page 21, Performance, Page 72, Space, Page 189, Labor, Page 98, Race, Page 220, Performance, Page 56, Labor, Page 122, Labor, Page 96, Race, Page 231, Conclusion, Page 284, Labor, Page 133, Labor, Page 123, Space, Page 188, Performance, Page 84, Race, Page 261, Space, Page 184, Conclusion, Page 300, Introduction, Page 30, Performance, Page 42, Introduction, Page 9, Space, Page 156, Race, Page 254, Introduction, Page 23, Labor, Page 131, Conclusion, Page 296, Space, Page 183, Introduction, Page 14, Performance, Page 70, introduction-page-22, Performance, Page 47, Conclusion, Page 290, Labor, Page 128, Performance, Page 54, Race, Page 219, Labor, Page 132, Introduction, Page 6, Space, Page 150, Space, Page 138, Space, Page 175, Race, Page 229, Space, Page 162, Race, Page 245, Performance, Page 80, Space, Page 155, Introduction, Page 4, Space, Page 194, Space, Page 169, Space, Page 182, Labor, Page 109, Race, Page 230, Labor, Page 112, Labor, Page 110, Performance, Page 60, Space, Page 193, Performance, Page 45, Race, Page 213, Space, Page 137, Race, Page 252, Conclusion, Page 289, Race, Page 232, Space, Page 152, Performance, Page 52, Labor, Page 113, Race, Page 248, Labor, Page 129, Space, Page 181, Performance, Page 82, Space, Page 195, Performance, Page 50, Conclusion, Page 274, Performance, Page 41, Space, Page 163, Race, Page 257, Performance, Page 35, Race, Page 225, Space, Page 170, Space, Page 192, Race, Page 235, Performance, Page 77, Conclusion, Page 304, Introduction, Page 20, Labor, Page 93, Space, Page 197, Conclusion, Page 302, Performance, Page 46, Conclusion, Page 291, Performance, Page 43, Performance, Page 78, Labor, Page 101, Conclusion, Page 286, Introduction, Page 18, Introduction, Page 29, Performance, Page 67, Space, Page 159, Space, Page 141, Introduction, Page 26, Race, Page 204, Conclusion, Page 272, Conclusion, Page 278, Labor, Page 97, Race, Page 247, Labor, Page 126, Performance, Page 40, Space, Page 171, Introduction, Page 12, Conclusion, Page 268, Performance, Page 44, Conclusion, Page 275, Conclusion, Page 273, Conclusion, Page 303, Introduction, Page 1