Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 19 of 36

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 172

The Paramount Publix Opinion pairs a review of the short Si, Si, Senor with the Fleischer Talkartoon Swing You Sinners! (1930), which trades on minstrel stereotypes. 

The reviewer suggests how to fit the cartoon in film programs and describes the it as "a new and radical idea in cartooning." The short features an early version of the minstrel figure Bimbo and opens with him attempting to steal a chicken, pursued by the police and ending up in a graveyard of animated tombstones who warn him to change his no-account ways. The song is a parody of the popular tune "Sing You Sinners" and is one of many instances in which the Fleischers celebrated popular culture while reinscribing racial stereotypes.
Comment on this page
 

Discussion of "Space, Page 172"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 19 of 36 Next page on path

Related:  Conclusion, Page 300,  Race, Page 258,  Conclusion, Page 304,  Space, Page 150,  Labor, Page 102,  Performance, Page 54,  Race, Page 245,  Labor, Page 123,  Labor, Page 119,  Labor, Page 112,  Race, Page 248,  Performance, Page 35,  Race, Page 232,  Conclusion, Page 268,  Labor, Page 131,  Space, Page 170,  Introduction, Page 14,  Space, Page 195,  Conclusion, Page 289,  Race, Page 247,  Labor, Page 126,  Introduction, Page 2,  Race, Page 254,  Labor, Page 132,  Labor, Page 98,  Labor, Page 88,  Race, Page 253,  Space, Page 152,  Space, Page 162,  Space, Page 188,  Space, Page 190,  Performance, Page 70,  Race, Page 235,  Performance, Page 46,  Space, Page 181,  Space, Page 156,  Performance, Page 34,  Space, Page 187,  Conclusion, Page 278,  Performance, Page 50,  Conclusion, Page 292,  Labor, Page 110,  Performance, Page 52,  Introduction, Page 21,  Introduction, Page 26,  Space, Page 165,  Conclusion, Page 286,  Race, Page 204,  Race, Page 251,  Race, Page 231,  Labor, Page 128,  Space, Page 146,  Performance, Page 72,  Space, Page 182,  Space, Page 193,  Introduction, Page 23,  Introduction, Page 29,  Performance, Page 77,  Performance, Page 67,  Labor, Page 133,  Conclusion, Page 290,  Conclusion, Page 303,  Race, Page 230,  Race, Page 213,  Introduction, Page 4,  Space, Page 138,  Labor, Page 96,  Conclusion, Page 298,  Labor, Page 109,  Performance, Page 47,  Labor, Page 122,  Performance, Page 84,  Introduction, Page 6,  Performance, Page 42,  Conclusion, Page 291,  Space, Page 175,  Race, Page 220,  Conclusion, Page 302,  Conclusion, Page 275,  Race, Page 252,  Conclusion, Page 296,  Space, Page 148,  Race, Page 206,  Conclusion, Page 272,  Introduction, Page 30,  Performance, Page 60,  Space, Page 177,  Labor, Page 113,  Race, Page 229,  Space, Page 194,  Race, Page 257,  Performance, Page 45,  Space, Page 159,  Space, Page 197,  Space, Page 141,  Introduction, Page 12,  Conclusion, Page 284,  Race, Page 221,  Performance, Page 41,  Race, Page 225,  Race, Page 239,  Space, Page 184,  Race, Page 224,  Race, Page 219,  Performance, Page 62,  Conclusion, Page 274,  Space, Page 155,  Race, Page 261,  Labor, Page 97,  Space, Page 189,  Labor, Page 129,  Space, Page 169,  Performance, Page 74,  Space, Page 163,  Performance, Page 43,  Performance, Page 78,  Performance, Page 40,  Space, Page 171,  Space, Page 143,  Performance, Page 82,  introduction-page-22,  Introduction, Page 20,  Space, Page 178,  Labor, Page 101,  Conclusion, Page 273,  Introduction, Page 18,  Space, Page 191,  Introduction, Page 9,  Labor, Page 93,  Introduction, Page 1,  Space, Page 183,  Performance, Page 80,  Space, Page 137,  Performance, Page 56,  Performance, Page 44,  Space, Page 192