Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Performance, Page 72

The term "pickaninny" is a derogatory term for poor African American children, who were (and are) often stereotyped as immature, rebellious, and immune to pain. According to Felix the Cat creator Otto Messmer, Pat Sullivan, the producer of Felix, had first created a character, Sammy Jonsin, who was based on the stereotype of the pickaninny. That character eventually became Felix.

The pickanniny was a common figure in popular culture during the early twentieth century. A Blatz gum ad from a 1928 issue of the movie fan magazine Photoplay blithely asks why a pickaninny loves watermelon, implying that his uncontrollable appetites will lead him to steal that same fruit.

That voraciousness is on display when Felix dreams of an ideal future in which he can eat endlessly in Futuritzy (1928), simultaneously demonstrating the economy of line and of stereotype through which Sullivan Studios created its animated worlds.

Comment on this page
 

Discussion of "Performance, Page 72"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Performance, page 18 of 25 Next page on path

Related:  Race, Page 258Conclusion, Page 286Conclusion, Page 290Space, Page 170Space, Page 197Labor, Page 133Race, Page 225Labor, Page 88Conclusion, Page 296Performance, Page 45Labor, Page 131Labor, Page 110Space, Page 183Conclusion, Page 278Conclusion, Page 300Space, Page 172Performance, Page 54Labor, Page 98Space, Page 146Conclusion, Page 289Race, Page 219Performance, Page 52Race, Page 232Introduction, Page 2Space, Page 190Space, Page 138Race, Page 206Space, Page 181Race, Page 252Race, Page 251Race, Page 204Conclusion, Page 272Space, Page 171Space, Page 150Introduction, Page 21Space, Page 188Space, Page 178Race, Page 261Space, Page 155Performance, Page 84Performance, Page 47Performance, Page 74Introduction, Page 26Space, Page 163Race, Page 247Race, Page 230Space, Page 194Race, Page 220Space, Page 159Space, Page 177Performance, Page 42Introduction, Page 29Labor, Page 122Space, Page 184Introduction, Page 6Labor, Page 109Performance, Page 82Performance, Page 70Labor, Page 128Race, Page 257Performance, Page 35Space, Page 141Space, Page 193Space, Page 175Performance, Page 56Race, Page 253Race, Page 231Race, Page 224Space, Page 152Race, Page 213Labor, Page 132Race, Page 229Labor, Page 112Labor, Page 113Labor, Page 126Race, Page 221Labor, Page 119Space, Page 182Performance, Page 60Introduction, Page 20Performance, Page 34Race, Page 235Performance, Page 80Introduction, Page 4Introduction, Page 14Space, Page 165Conclusion, Page 284Race, Page 248Race, Page 254Conclusion, Page 274Labor, Page 123Space, Page 189Conclusion, Page 304Conclusion, Page 302Space, Page 148Performance, Page 43Conclusion, Page 292Space, Page 191Space, Page 143Performance, Page 40Conclusion, Page 303Labor, Page 96Conclusion, Page 291Introduction, Page 18Labor, Page 129Space, Page 156Performance, Page 46Performance, Page 78Space, Page 162Conclusion, Page 268Introduction, Page 23introduction-page-22Labor, Page 101Performance, Page 44Space, Page 187Performance, Page 41Performance, Page 67Race, Page 239Performance, Page 50Conclusion, Page 298Conclusion, Page 273Labor, Page 102Space, Page 169Introduction, Page 12Labor, Page 93Race, Page 245Introduction, Page 30Space, Page 192Performance, Page 77Introduction, Page 1Space, Page 137Performance, Page 62Introduction, Page 9Conclusion, Page 275