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Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Performance, page 24 of 25
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Performance, Page 82

Not all cartoon characters were minstrels, and not all cartoons were equally performative. Although less narratively layered than McCay's Gertie or the Flesicher Ko-Ko cartoons, Carlson's Dreamy Dud and Paul Terry's Aesop's Fables both feature more self-contained story-lines, with characters who still nevertheless acknowledge their spectators from time to time. 
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Paul Terry    1920s    Bray/Goldwyn    Moving Image    Sound    Black and White    Carlson's Dreamy Dud    Paul Terry's Aesop Fables

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