Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 7 of 25

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 224

As Mickey Mouse heads upriver in Trader Mickey (1932), he strums the classic minstrel tune "Old Zip Coon" on his banjo, reprising his first sync-sound performance in Steamboat Willie (1928).  

In these instances, Mickey as minstrel evokes the Old South, the plantation, and slavery. The minstrel was based upon the fantasy of a black body in willful disobedience: lazy, cunning, resistant to pain, and able to navigate the brutal regime of chattel slavery through that cunning. Like many animated continuing characters in early American animation, Mickey performed just that sort of resistance.

 
Comment on this page
 

Discussion of "Race, Page 224"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 7 of 25 Next page on path

Related:  Labor, Page 113Space, Page 148Performance, Page 54Conclusion, Page 296Space, Page 191Conclusion, Page 284Space, Page 188Race, Page 247Introduction, Page 2Space, Page 182Labor, Page 101Labor, Page 133Space, Page 152Space, Page 181Space, Page 155Space, Page 165Space, Page 177Introduction, Page 14Race, Page 252Conclusion, Page 298Race, Page 258Race, Page 225Performance, Page 72Labor, Page 112Performance, Page 44Space, Page 193Race, Page 220Introduction, Page 6Introduction, Page 1Labor, Page 122Race, Page 230Space, Page 146Space, Page 137Race, Page 253Space, Page 175Conclusion, Page 289Space, Page 150Labor, Page 88Labor, Page 132Race, Page 219Introduction, Page 21Race, Page 232Race, Page 229Labor, Page 128Space, Page 162Conclusion, Page 302Performance, Page 82Space, Page 189Space, Page 184Race, Page 251Performance, Page 50Labor, Page 110Performance, Page 77Performance, Page 84Performance, Page 47Space, Page 187Race, Page 204Race, Page 231Conclusion, Page 292Race, Page 206Conclusion, Page 278Performance, Page 70Introduction, Page 29Labor, Page 109Conclusion, Page 286Race, Page 261Performance, Page 42Space, Page 170Performance, Page 60Space, Page 178Space, Page 159Space, Page 156Labor, Page 98Performance, Page 74Performance, Page 43Conclusion, Page 291Labor, Page 123Performance, Page 34Space, Page 197Race, Page 239Race, Page 254Conclusion, Page 290Space, Page 163Space, Page 190Race, Page 248Race, Page 221Conclusion, Page 300Performance, Page 45Performance, Page 35Labor, Page 93Race, Page 235Space, Page 183Space, Page 143Conclusion, Page 304Space, Page 138Space, Page 172Labor, Page 131Labor, Page 129Introduction, Page 4Conclusion, Page 268Space, Page 141Space, Page 194Introduction, Page 23Introduction, Page 16Conclusion, Page 273Performance, Page 52Introduction, Page 30Space, Page 195Performance, Page 76Conclusion, Page 275Space, Page 196Labor, Page 102Race, Page 213Performance, Page 46Space, Page 171Labor, Page 119Space, Page 169Race, Page 242Conclusion, Page 303Space, Page 166Performance, Page 41