Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 14 of 36

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 165

Changing labor practices and media configurations in the late 1920s and early 1930s encouraged some live vaudeville performers to translate their stage skills for other mediums such as film and radio. 

Cliff Edwards, a singer who sometimes performed in blackface on the Keith-Albee circuits, eventually went on to voice Jiminy Cricket in Pinocchio (1940) and the problematic Jim Crow in Dumbo (1941). This scene, with its jazzy tone, minstrel characters and repurposing of the name "Jim Crow," performs the casual and pernicious racism of 1940s Hollywood.
Comment on this page
 

Discussion of "Space, Page 165"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 14 of 36 Next page on path
1940s    Cartoons    Moving Image    Sound    Color    Walt Disney    1930s

Related:  Space, Page 190Performance, Page 50Space, Page 181Race, Page 251Space, Page 194Race, Page 248Introduction, Page 2Performance, Page 60Race, Page 206Introduction, Page 6Conclusion, Page 296Conclusion, Page 286Space, Page 188Space, Page 148Labor, Page 101Race, Page 253Introduction, Page 14Race, Page 229Labor, Page 133Introduction, Page 29Race, Page 224Space, Page 182Race, Page 254Space, Page 183Labor, Page 129Race, Page 232Performance, Page 52Space, Page 162Space, Page 184Conclusion, Page 304Introduction, Page 30Space, Page 177Performance, Page 72Conclusion, Page 289Space, Page 178Conclusion, Page 298Space, Page 141Labor, Page 113Space, Page 197Labor, Page 123Space, Page 189Labor, Page 132Performance, Page 45Race, Page 225Space, Page 171Performance, Page 41Performance, Page 74Performance, Page 42Space, Page 187Race, Page 230Conclusion, Page 292Labor, Page 98Labor, Page 128Introduction, Page 23Race, Page 239Space, Page 175Labor, Page 109Space, Page 152Conclusion, Page 300Performance, Page 82Labor, Page 112Race, Page 220Space, Page 193Performance, Page 54Introduction, Page 21Conclusion, Page 291Performance, Page 84Space, Page 143Space, Page 172Race, Page 258Race, Page 213Space, Page 137Race, Page 247Race, Page 219Race, Page 261Race, Page 231Race, Page 252Labor, Page 88Race, Page 235Labor, Page 119Labor, Page 110Labor, Page 122Race, Page 204Conclusion, Page 284Space, Page 138Performance, Page 46Performance, Page 35Conclusion, Page 302Space, Page 150Space, Page 155Space, Page 163Labor, Page 102Conclusion, Page 275Introduction, Page 1Performance, Page 77Space, Page 146Space, Page 170Conclusion, Page 273Performance, Page 70Introduction, Page 4Space, Page 191Conclusion, Page 278Performance, Page 34Race, Page 221Labor, Page 131Performance, Page 47Space, Page 195Performance, Page 40Conclusion, Page 290Performance, Page 43Conclusion, Page 303