Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 14 of 36

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 165

Changing labor practices and media configurations in the late 1920s and early 1930s encouraged some live vaudeville performers to translate their stage skills for other mediums such as film and radio. 

Cliff Edwards, a singer who sometimes performed in blackface on the Keith-Albee circuits, eventually went on to voice Jiminy Cricket in Pinocchio (1940) and the problematic Jim Crow in Dumbo (1941). This scene, with its jazzy tone, minstrel characters and repurposing of the name "Jim Crow," performs the casual and pernicious racism of 1940s Hollywood.
Comment on this page
 

Discussion of "Space, Page 165"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 14 of 36 Next page on path
1940s    Walt Disney    1930s    Cartoons    Moving Image    Sound    Color

Related:  Space, Page 182Space, Page 181Space, Page 137Introduction, Page 30Space, Page 188Conclusion, Page 296Race, Page 247Conclusion, Page 302Race, Page 235Conclusion, Page 273Labor, Page 132Space, Page 163Conclusion, Page 286Race, Page 261Labor, Page 98Conclusion, Page 291Race, Page 258Conclusion, Page 300Space, Page 162Introduction, Page 2Space, Page 194Introduction, Page 14Labor, Page 109Space, Page 191Introduction, Page 23Space, Page 152Race, Page 248Race, Page 254Space, Page 143Space, Page 155Labor, Page 122Labor, Page 112Space, Page 197Race, Page 239Labor, Page 133Space, Page 177Performance, Page 41Race, Page 253Race, Page 224Performance, Page 84Race, Page 221Race, Page 213Conclusion, Page 292Race, Page 231Race, Page 251Performance, Page 74Labor, Page 101Space, Page 150Performance, Page 72Introduction, Page 29Space, Page 195Performance, Page 43Space, Page 138Introduction, Page 1Labor, Page 123Performance, Page 45Space, Page 175Labor, Page 110Labor, Page 88Performance, Page 40Conclusion, Page 303Introduction, Page 6Space, Page 172Race, Page 204Space, Page 190Race, Page 252Race, Page 229Conclusion, Page 298Space, Page 184Conclusion, Page 289Conclusion, Page 284Race, Page 230Space, Page 183Labor, Page 128Race, Page 225Performance, Page 70Race, Page 232Space, Page 187Space, Page 146Labor, Page 129Race, Page 206Race, Page 220Performance, Page 82Performance, Page 54Performance, Page 35Space, Page 170Performance, Page 50Space, Page 193Performance, Page 46Race, Page 219Performance, Page 60Labor, Page 113Labor, Page 119Introduction, Page 21Conclusion, Page 304Space, Page 148Space, Page 178Space, Page 189Conclusion, Page 290Performance, Page 47Conclusion, Page 275Introduction, Page 4Performance, Page 34Conclusion, Page 278Labor, Page 102Performance, Page 52Labor, Page 131Space, Page 171Space, Page 141Performance, Page 42Performance, Page 77