Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 14 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 165

Changing labor practices and media configurations in the late 1920s and early 1930s encouraged some live vaudeville performers to translate their stage skills for other mediums such as film and radio. 

Cliff Edwards, a singer who sometimes performed in blackface on the Keith-Albee circuits, eventually went on to voice Jiminy Cricket in Pinocchio (1940) and the problematic Jim Crow in Dumbo (1941). This scene, with its jazzy tone, minstrel characters and repurposing of the name "Jim Crow," performs the casual and pernicious racism of 1940s Hollywood.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 165"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 14 of 36 Next page on path
1940s    Sound    Color    Walt Disney    1930s    Cartoons    Moving Image

Related:  Labor, Page 88,  Introduction, Page 2,  Race, Page 224,  Labor, Page 128,  Labor, Page 132,  Race, Page 229,  Performance, Page 72,  Introduction, Page 29,  Space, Page 193,  Conclusion, Page 302,  Race, Page 261,  Space, Page 143,  Space, Page 188,  Race, Page 253,  Labor, Page 101,  Space, Page 195,  Performance, Page 74,  Space, Page 177,  Space, Page 181,  Race, Page 232,  Labor, Page 129,  Race, Page 258,  Performance, Page 47,  Labor, Page 110,  Space, Page 190,  Conclusion, Page 304,  Space, Page 172,  Race, Page 231,  Conclusion, Page 286,  Conclusion, Page 289,  Space, Page 189,  Performance, Page 52,  Race, Page 252,  Space, Page 141,  Race, Page 254,  Labor, Page 122,  Space, Page 197,  Conclusion, Page 300,  Introduction, Page 1,  Race, Page 225,  Performance, Page 43,  Performance, Page 54,  Race, Page 213,  Space, Page 150,  Conclusion, Page 296,  Space, Page 182,  Race, Page 230,  Space, Page 187,  Space, Page 191,  Space, Page 175,  Space, Page 137,  Space, Page 178,  Introduction, Page 14,  Race, Page 204,  Race, Page 221,  Conclusion, Page 284,  Space, Page 155,  Labor, Page 113,  Introduction, Page 30,  Space, Page 183,  Race, Page 248,  Space, Page 184,  Conclusion, Page 298,  Labor, Page 98,  Introduction, Page 23,  Space, Page 152,  Race, Page 219,  Conclusion, Page 291,  Labor, Page 123,  Conclusion, Page 290,  Space, Page 194,  Race, Page 220,  Space, Page 163,  Performance, Page 82,  Conclusion, Page 278,  Introduction, Page 6,  Race, Page 239,  Space, Page 146,  Race, Page 251,  Space, Page 148,  Conclusion, Page 292,  Labor, Page 112,  Labor, Page 109,  Performance, Page 84,  Performance, Page 70,  Space, Page 138,  Performance, Page 77,  Race, Page 206,  Labor, Page 133,  Performance, Page 41,  Performance, Page 42,  Race, Page 247,  Race, Page 235,  Performance, Page 40,  Introduction, Page 4,  Labor, Page 119,  Introduction, Page 21,  Labor, Page 131,  Space, Page 171,  Space, Page 162,  Space, Page 170,  Performance, Page 46,  Conclusion, Page 275,  Performance, Page 50,  Conclusion, Page 273,  Performance, Page 45,  Performance, Page 60,  Performance, Page 35,  Performance, Page 34,  Conclusion, Page 303,  Labor, Page 102