Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 8 of 21
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 109

Walter Lantz’s Voodoo In Harlem (1938) is an excellent example of the fantastic geography of some early sound cartoons. This geography imagined Africa, the Deep South, and the urban ghettoes of the northern United States (typified by Harlem) as one continuous space unified by black bodies. In this clip, stereotypical natives sing about Haitian voodoo practices taking place in the jazz clubs of Harlem.

Also, the inkwell was a powerful trope which was celebrated by animators in their works - the source material from which life sprang, where an ideal, fantastic blackness materialized into being.  Here, savage characters emerge from ink spilled on the floor and at the end of the cartoon return to the inkwell from which they sprang.

Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Labor, Page 109"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 8 of 21 Next page on path
Walter Lantz    1930s    Cartoons    Moving Image    Sound    Black and White    With Live Characters (Animators)

Related:  Space, Page 172,  Performance, Page 50,  Conclusion, Page 284,  Space, Page 148,  Space, Page 150,  Space, Page 197,  Space, Page 141,  Race, Page 239,  Performance, Page 84,  Race, Page 251,  Space, Page 195,  Race, Page 206,  Labor, Page 98,  Space, Page 177,  Space, Page 194,  Conclusion, Page 292,  Conclusion, Page 296,  Labor, Page 113,  Conclusion, Page 304,  Labor, Page 119,  Performance, Page 45,  Labor, Page 110,  Introduction, Page 29,  Space, Page 190,  Space, Page 138,  Race, Page 247,  Space, Page 152,  Space, Page 181,  Labor, Page 88,  Performance, Page 70,  Labor, Page 129,  Race, Page 224,  Race, Page 253,  Performance, Page 47,  Race, Page 231,  Race, Page 232,  Conclusion, Page 289,  Conclusion, Page 286,  Conclusion, Page 298,  Performance, Page 77,  Performance, Page 72,  Space, Page 162,  Performance, Page 46,  Race, Page 229,  Performance, Page 54,  Performance, Page 42,  Space, Page 189,  Labor, Page 122,  Space, Page 155,  Introduction, Page 6,  Space, Page 170,  Performance, Page 74,  Race, Page 235,  Space, Page 182,  Race, Page 221,  Space, Page 193,  Space, Page 146,  Space, Page 143,  Race, Page 220,  Race, Page 254,  Space, Page 184,  Race, Page 204,  Conclusion, Page 300,  Labor, Page 112,  Introduction, Page 14,  Race, Page 219,  Conclusion, Page 302,  Labor, Page 123,  Race, Page 248,  Space, Page 187,  Performance, Page 60,  Space, Page 163,  Race, Page 230,  Introduction, Page 21,  Labor, Page 133,  Introduction, Page 23,  Conclusion, Page 291,  Introduction, Page 30,  Space, Page 175,  Labor, Page 101,  Performance, Page 44,  Space, Page 165,  Performance, Page 34,  Space, Page 183,  Conclusion, Page 275,  Race, Page 225,  Space, Page 178,  Performance, Page 52,  Introduction, Page 2,  Labor, Page 131,  Race, Page 258,  Space, Page 188,  Conclusion, Page 290,  Race, Page 261,  Performance, Page 35,  Performance, Page 82,  Labor, Page 132,  Performance, Page 43,  Labor, Page 128,  Race, Page 213,  Introduction, Page 4,  Performance, Page 41,  Race, Page 252,  Conclusion, Page 273,  Conclusion, Page 303,  Space, Page 137,  Introduction, Page 1,  Space, Page 171,  Space, Page 191,  Conclusion, Page 278