Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 25 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 183

Even as minstrelsy was practiced on radio and television in series like "Two Black Crows" and Amos 'n' Andy, popular films towards the end of the 30s and 40s tended to locate blackface nostalgically, as a form from the distant past.

Such is the case for films such as Babes in Arms (1939), Holiday Inn (1941) and The Minstrel Man (1944), the last of which features a revival show reuniting father and daughter. In this film, blackface is represented as a "mask", supporting a plotline involving hidden identity, secrecy and the awaited reunion.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 183"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 25 of 36 Next page on path
1940s    1930s    Live Cinema    Moving Image

Related:  Space, Page 178,  Introduction, Page 29,  Race, Page 230,  Space, Page 189,  Space, Page 190,  Labor, Page 119,  Labor, Page 113,  Race, Page 213,  Introduction, Page 30,  Race, Page 225,  Conclusion, Page 275,  Labor, Page 128,  Introduction, Page 4,  Race, Page 221,  Performance, Page 60,  Labor, Page 122,  Labor, Page 131,  Conclusion, Page 273,  Race, Page 261,  Introduction, Page 21,  Race, Page 232,  Race, Page 258,  Space, Page 182,  Introduction, Page 16,  Race, Page 206,  Race, Page 239,  Space, Page 163,  Conclusion, Page 300,  Labor, Page 110,  Race, Page 231,  Introduction, Page 23,  Performance, Page 35,  Race, Page 229,  Space, Page 197,  Race, Page 248,  Space, Page 188,  Space, Page 194,  Performance, Page 43,  Race, Page 251,  Space, Page 175,  Performance, Page 84,  Space, Page 162,  Space, Page 138,  Introduction, Page 14,  Performance, Page 45,  Performance, Page 54,  Space, Page 143,  Race, Page 235,  Conclusion, Page 286,  Labor, Page 133,  Conclusion, Page 303,  Race, Page 224,  Race, Page 253,  Performance, Page 77,  Space, Page 177,  Introduction, Page 15,  Performance, Page 74,  Conclusion, Page 291,  Space, Page 170,  Labor, Page 123,  Space, Page 191,  Labor, Page 132,  Performance, Page 46,  Performance, Page 82,  Race, Page 252,  Space, Page 137,  Race, Page 220,  Space, Page 193,  Space, Page 148,  Space, Page 171,  Labor, Page 109,  Performance, Page 40,  Conclusion, Page 289,  Conclusion, Page 284,  Race, Page 204,  Introduction, Page 2,  Introduction, Page 1,  Race, Page 219,  Conclusion, Page 296,  Performance, Page 52,  Space, Page 165,  Labor, Page 88,  Space, Page 181,  Conclusion, Page 298,  Performance, Page 41,  Space, Page 195,  Performance, Page 72,  Space, Page 141,  Conclusion, Page 290,  Performance, Page 34,  Conclusion, Page 302,  Conclusion, Page 278,  Conclusion, Page 304,  Labor, Page 129,  Performance, Page 47,  Performance, Page 44,  Space, Page 172,  Conclusion, Page 292,  Labor, Page 98,  Performance, Page 42,  Space, Page 146,  Performance, Page 50,  Space, Page 187,  Space, Page 155,  Labor, Page 112,  Space, Page 184,  Space, Page 152,  Introduction, Page 6,  Space, Page 150,  Race, Page 247,  Race, Page 254