Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 25 of 36

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 183

Even as minstrelsy was practiced on radio and television in series like "Two Black Crows" and Amos 'n' Andy, popular films towards the end of the 30s and 40s tended to locate blackface nostalgically, as a form from the distant past.

Such is the case for films such as Babes in Arms (1939), Holiday Inn (1941) and The Minstrel Man (1944), the last of which features a revival show reuniting father and daughter. In this film, blackface is represented as a "mask", supporting a plotline involving hidden identity, secrecy and the awaited reunion.
Comment on this page
 

Discussion of "Space, Page 183"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 25 of 36 Next page on path

Related:  Race, Page 221Space, Page 163Race, Page 213Space, Page 181Space, Page 165Space, Page 193Conclusion, Page 300Space, Page 152Space, Page 170Space, Page 197Race, Page 206Race, Page 220Performance, Page 46Race, Page 230Conclusion, Page 289Space, Page 178Introduction, Page 30Introduction, Page 29Introduction, Page 14Race, Page 204Conclusion, Page 278Space, Page 137Labor, Page 129Space, Page 148Race, Page 231Space, Page 194Race, Page 219Race, Page 261Performance, Page 52Labor, Page 98Space, Page 191Performance, Page 41Space, Page 146Race, Page 252Conclusion, Page 286Conclusion, Page 291Space, Page 182Introduction, Page 23Race, Page 235Space, Page 162Conclusion, Page 303Labor, Page 128Performance, Page 34Conclusion, Page 298Performance, Page 54Race, Page 248Space, Page 188Labor, Page 133Space, Page 190Labor, Page 112Space, Page 177Labor, Page 109Race, Page 232Conclusion, Page 296Introduction, Page 6Race, Page 224Labor, Page 88Labor, Page 132Introduction, Page 4Conclusion, Page 273Race, Page 251Performance, Page 45Race, Page 225Performance, Page 60Performance, Page 44Conclusion, Page 304Performance, Page 77Race, Page 253Race, Page 229Labor, Page 131Conclusion, Page 302Performance, Page 50Conclusion, Page 292Space, Page 138Race, Page 258Space, Page 175Space, Page 143Space, Page 189Labor, Page 113Introduction, Page 1Introduction, Page 2Space, Page 172Labor, Page 123Labor, Page 122Conclusion, Page 284Conclusion, Page 290Labor, Page 119Conclusion, Page 275Performance, Page 74Space, Page 171Space, Page 195Performance, Page 84Space, Page 150Race, Page 254Performance, Page 72Space, Page 141Performance, Page 35Labor, Page 110Introduction, Page 16Race, Page 247Performance, Page 47Performance, Page 42Introduction, Page 21Performance, Page 43Performance, Page 82Performance, Page 40Space, Page 184Introduction, Page 15Space, Page 155Space, Page 187Race, Page 239