Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 21 of 25

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 253

In the cartoons Snow White (1932), Minnie the Moocher (1932), and Old Man of the Mountain (1933), jazz great Cab Calloway was rotoscoped onto the ambiguous minstrel character Ko-Ko, turned into a ghostly dancing walrus, or made into a monstrous mountain man. These cartoons made direct connections between minstrelsy and white anxieties surrounding popular black culture.
Comment on this page
 

Discussion of "Race, Page 253"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 21 of 25 Next page on path

Related:  Space, Page 152Performance, Page 45Space, Page 165Race, Page 231Labor, Page 112Race, Page 206Space, Page 190Space, Page 163Space, Page 184Performance, Page 47Space, Page 178Conclusion, Page 302Labor, Page 110Space, Page 182Space, Page 171Space, Page 155Space, Page 177Race, Page 248Conclusion, Page 298Introduction, Page 2Performance, Page 72Introduction, Page 21Space, Page 175Race, Page 230Race, Page 224Conclusion, Page 296Space, Page 138Conclusion, Page 292Space, Page 143Conclusion, Page 289Race, Page 225Race, Page 221Space, Page 146Labor, Page 128Race, Page 252Conclusion, Page 304Introduction, Page 14Labor, Page 123Labor, Page 119Space, Page 172Space, Page 156Race, Page 258Space, Page 170Space, Page 191Introduction, Page 29Labor, Page 88Performance, Page 74Performance, Page 52Space, Page 187Conclusion, Page 300Space, Page 150Labor, Page 131Race, Page 254Performance, Page 77Labor, Page 109Race, Page 239Performance, Page 43Performance, Page 84Race, Page 204Introduction, Page 6Labor, Page 98Conclusion, Page 290Performance, Page 60Performance, Page 50Race, Page 229Space, Page 162Labor, Page 133Conclusion, Page 273Introduction, Page 30Performance, Page 42Space, Page 193Performance, Page 70Introduction, Page 4Race, Page 261Race, Page 232Performance, Page 41Performance, Page 35Race, Page 251Space, Page 188Labor, Page 96Space, Page 197Space, Page 137Performance, Page 34Labor, Page 101Space, Page 181Conclusion, Page 275Introduction, Page 23Conclusion, Page 278Conclusion, Page 286Conclusion, Page 291Performance, Page 54Race, Page 220Race, Page 235Labor, Page 97Performance, Page 44Space, Page 183Labor, Page 122Space, Page 189Space, Page 194Labor, Page 113Space, Page 141Race, Page 247Introduction, Page 1Race, Page 213Performance, Page 82Labor, Page 132Labor, Page 129Space, Page 195Space, Page 148Performance, Page 46Conclusion, Page 284Race, Page 219Conclusion, Page 303