Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 21 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 253

In the cartoons Snow White (1932), Minnie the Moocher (1932), and Old Man of the Mountain (1933), jazz great Cab Calloway was rotoscoped onto the ambiguous minstrel character Ko-Ko, turned into a ghostly dancing walrus, or made into a monstrous mountain man. These cartoons made direct connections between minstrelsy and white anxieties surrounding popular black culture.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Race, Page 253"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 21 of 25 Next page on path
Max Fleischer    Dave Fleischer    1930s    Ko-Ko the Clown    Cartoons    Betty Boop    Moving Image    Sound    Black and White    Bimbo

Related:  Performance, Page 47,  Space, Page 197,  Space, Page 190,  Race, Page 204,  Labor, Page 128,  Performance, Page 74,  Introduction, Page 23,  Conclusion, Page 290,  Conclusion, Page 300,  Space, Page 155,  Race, Page 231,  Race, Page 206,  Race, Page 248,  Labor, Page 119,  Labor, Page 110,  Space, Page 175,  Race, Page 213,  Labor, Page 113,  Introduction, Page 2,  Conclusion, Page 302,  Labor, Page 98,  Race, Page 220,  Performance, Page 72,  Performance, Page 52,  Labor, Page 129,  Space, Page 182,  Space, Page 193,  Race, Page 247,  Labor, Page 101,  Conclusion, Page 289,  Race, Page 254,  Performance, Page 35,  Conclusion, Page 298,  Introduction, Page 1,  Space, Page 178,  Labor, Page 122,  Labor, Page 132,  Race, Page 235,  Space, Page 152,  Performance, Page 84,  Race, Page 229,  Space, Page 181,  Space, Page 177,  Space, Page 162,  Space, Page 172,  Race, Page 230,  Labor, Page 109,  Race, Page 225,  Performance, Page 82,  Introduction, Page 29,  Conclusion, Page 273,  Introduction, Page 14,  Performance, Page 70,  Space, Page 183,  Race, Page 232,  Race, Page 221,  Space, Page 187,  Conclusion, Page 292,  Labor, Page 133,  Performance, Page 54,  Introduction, Page 30,  Space, Page 184,  Race, Page 224,  Labor, Page 96,  Space, Page 137,  Race, Page 252,  Space, Page 189,  Conclusion, Page 304,  Introduction, Page 6,  Labor, Page 123,  Performance, Page 45,  Performance, Page 60,  Introduction, Page 21,  Space, Page 163,  Conclusion, Page 296,  Conclusion, Page 275,  Space, Page 165,  Conclusion, Page 278,  Space, Page 148,  Space, Page 150,  Race, Page 258,  Race, Page 251,  Performance, Page 50,  Space, Page 194,  Race, Page 239,  Space, Page 188,  Conclusion, Page 286,  Labor, Page 131,  Labor, Page 88,  Labor, Page 112,  Performance, Page 42,  Conclusion, Page 284,  Space, Page 143,  Performance, Page 46,  Performance, Page 77,  Space, Page 146,  Race, Page 261,  Space, Page 195,  Space, Page 170,  Performance, Page 34,  Space, Page 138,  Conclusion, Page 291,  Space, Page 171,  Introduction, Page 4,  Space, Page 141,  Space, Page 191,  Performance, Page 44,  Labor, Page 97,  Conclusion, Page 303,  Performance, Page 43,  Performance, Page 41,  Space, Page 156,  Race, Page 219