Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 33 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 194

In Tin Pan Alley Cats (1943), Warner Bros repurposed material from Porky in Wackyland (1939), replacing Porky with a racist caricature of Fats Waller, and transposing the landscape of "Africa" into a waterfront ghetto. 

Fats Waller, a wayward alley cat, passes a mission band in favor of the raptures of a jazz club, in which he is transported to a surreal realm populated by strange creatures (including a rubbery Hitler, Hirohito, and Stalin) who frighten him with their excessive joy. This segment is repurposed from the 1939 short Porky in Wackyland, in which Porky Pig travels to "darkest Africa" in search of the Dodo bird. Both shorts imagine a fantastic geography in which the ghetto and Africa are linked through jazz.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 194"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 33 of 36 Next page on path
1940s    Warner Bros    1930s    Porky Pig    Cartoons    Moving Image    Sound    Black and White    Color

Related:  Conclusion, Page 304,  Conclusion, Page 292,  Space, Page 150,  Space, Page 184,  Performance, Page 84,  Space, Page 190,  Conclusion, Page 275,  Space, Page 165,  Conclusion, Page 284,  Space, Page 141,  Conclusion, Page 291,  Space, Page 148,  Space, Page 162,  Space, Page 183,  Conclusion, Page 289,  Labor, Page 123,  Introduction, Page 30,  Performance, Page 50,  Labor, Page 129,  Race, Page 230,  Conclusion, Page 296,  Labor, Page 101,  Performance, Page 82,  Race, Page 248,  Space, Page 189,  Space, Page 181,  Conclusion, Page 286,  Space, Page 182,  Space, Page 146,  Race, Page 213,  Performance, Page 41,  Labor, Page 119,  Race, Page 254,  Space, Page 170,  Labor, Page 109,  Space, Page 187,  Conclusion, Page 303,  Introduction, Page 29,  Labor, Page 122,  Performance, Page 54,  Performance, Page 34,  Performance, Page 74,  Race, Page 239,  Race, Page 206,  Race, Page 229,  Performance, Page 44,  Race, Page 261,  Conclusion, Page 302,  Space, Page 193,  Performance, Page 46,  Space, Page 188,  Race, Page 224,  Space, Page 152,  Performance, Page 60,  Labor, Page 131,  Race, Page 225,  Race, Page 232,  Race, Page 235,  Labor, Page 112,  Race, Page 220,  Introduction, Page 6,  Space, Page 143,  Labor, Page 128,  Space, Page 178,  Performance, Page 40,  Performance, Page 45,  Race, Page 231,  Labor, Page 98,  Space, Page 177,  Race, Page 221,  Performance, Page 72,  Space, Page 155,  Conclusion, Page 300,  Labor, Page 133,  Introduction, Page 21,  Space, Page 163,  Performance, Page 77,  Space, Page 197,  Race, Page 253,  Labor, Page 110,  Labor, Page 113,  Space, Page 172,  Introduction, Page 14,  Performance, Page 47,  Race, Page 252,  Labor, Page 88,  Race, Page 247,  Race, Page 251,  Labor, Page 132,  Introduction, Page 23,  Introduction, Page 4,  Space, Page 138,  Performance, Page 70,  Conclusion, Page 298,  Race, Page 204,  Performance, Page 43,  Performance, Page 35,  Conclusion, Page 278,  Conclusion, Page 290,  Race, Page 258,  Space, Page 175,  Space, Page 195,  Space, Page 191,  Race, Page 219,  Introduction, Page 2,  Introduction, Page 1,  Performance, Page 42,  Performance, Page 52,  Space, Page 137,  Space, Page 171,  Conclusion, Page 273