Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 22 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 178

In a self-reflexive moment, the animated characters in Making 'Em Move repeat a gag from Uncle Josh at the Picture Show (1902), violently tearing down the screen to get the film's characters and dissolving the boundary between theatre, stage, and screen. 

In Uncle Josh, the line between disbelief at the motion picture and desire to imitate it are blurred. This is especially evident when Uncle Josh tears down the screen to stop a couple embracing and kissing, then struggles with the projectionist.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 178"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 22 of 36 Next page on path
Van Beuren    Silent    Sound    Black and White    1900s    1930s    Live Cinema    Cartoons    Moving Image

Related:  Space, Page 193,  Space, Page 152,  Labor, Page 133,  Space, Page 177,  Conclusion, Page 302,  Race, Page 258,  Conclusion, Page 289,  Conclusion, Page 292,  Space, Page 162,  Labor, Page 110,  Space, Page 187,  Performance, Page 84,  Introduction, Page 2,  Race, Page 230,  Labor, Page 122,  Conclusion, Page 273,  Race, Page 229,  Race, Page 225,  Labor, Page 112,  Race, Page 261,  Conclusion, Page 298,  Space, Page 182,  Race, Page 252,  Introduction, Page 20,  Performance, Page 70,  Race, Page 247,  Performance, Page 41,  Space, Page 189,  Space, Page 172,  Space, Page 163,  Space, Page 143,  Space, Page 175,  Labor, Page 113,  Space, Page 155,  Performance, Page 45,  Race, Page 204,  Space, Page 194,  Race, Page 206,  Introduction, Page 23,  Introduction, Page 21,  Conclusion, Page 300,  Performance, Page 42,  Introduction, Page 1,  Conclusion, Page 284,  Race, Page 254,  Conclusion, Page 286,  Space, Page 184,  Performance, Page 50,  Labor, Page 109,  Race, Page 231,  Space, Page 188,  Space, Page 146,  Race, Page 253,  Space, Page 190,  Labor, Page 128,  Performance, Page 47,  Race, Page 221,  Labor, Page 88,  Race, Page 219,  Race, Page 232,  Conclusion, Page 296,  Introduction, Page 29,  Space, Page 181,  Performance, Page 62,  Space, Page 197,  Performance, Page 52,  Introduction, Page 6,  Introduction, Page 30,  Space, Page 195,  Race, Page 213,  Performance, Page 35,  Performance, Page 54,  Performance, Page 72,  Space, Page 148,  Conclusion, Page 278,  Performance, Page 34,  Race, Page 248,  Performance, Page 60,  Space, Page 171,  Labor, Page 129,  Space, Page 191,  Conclusion, Page 303,  Performance, Page 44,  Conclusion, Page 290,  Space, Page 165,  Space, Page 192,  Performance, Page 82,  Race, Page 220,  Labor, Page 132,  Race, Page 239,  Performance, Page 74,  Space, Page 183,  Labor, Page 119,  Labor, Page 123,  Performance, Page 43,  Introduction, Page 4,  Introduction, Page 16,  Race, Page 224,  Introduction, Page 15,  Race, Page 235,  Race, Page 251,  Labor, Page 101,  Space, Page 150,  Labor, Page 115,  Labor, Page 98,  Space, Page 138,  Space, Page 141,  Conclusion, Page 291,  Performance, Page 46,  Conclusion, Page 304,  Space, Page 170,  Introduction, Page 14,  Labor, Page 131,  Conclusion, Page 275,  Performance, Page 77,  Space, Page 137