Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 152

The Fleischer Song Car-Tune My Old Kentucky Home (1924) frames Stephen Foster's minstrelesque lyrics in the pleasures of a group sing-along, linking racial fantasies to nostalgia and sentimentality. 

I've Got Rings on my Fingers (1929) illustrates a popular song about a castaway Irish man named Jim O'Shea, who has been accepted/crowned by "natives" and writes home to his love to come join him as queen. The sing-along segment of this cartoon features "black" dancers performing in a manner resembling a minstrel act. 

When It's Sleepy Time Down South (1932) features the Boswell Sisters depicts the Great Migration, and involves racist fantasies of Southern life and social relationships. The song works to evoke a deep nostalgia for a peaceful bygone era, even among listeners with no connection to the South.

Popular attractions at the time of their release, these cartoons produced nostalgia through audience engagement, recalling vaudeville and silent cinema, and romanticized segregation and slavery. 




Comment on this page
 

Discussion of "Space, Page 152"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 8 of 36 Next page on path

Related:  Labor, Page 119Space, Page 190Performance, Page 82Space, Page 181Performance, Page 34Race, Page 224Labor, Page 110Space, Page 155Space, Page 162Conclusion, Page 291Race, Page 258Race, Page 219Space, Page 187Space, Page 138Labor, Page 132Space, Page 148Introduction, Page 6Labor, Page 122Space, Page 175Performance, Page 46Conclusion, Page 289Race, Page 251Conclusion, Page 298Race, Page 213Race, Page 230Labor, Page 96Race, Page 261Introduction, Page 29Space, Page 150Space, Page 193Space, Page 194Space, Page 178Race, Page 252Race, Page 204Space, Page 143Space, Page 177Race, Page 220Space, Page 156Space, Page 172Performance, Page 52Space, Page 159Race, Page 247Performance, Page 72Performance, Page 47Performance, Page 76Space, Page 165Space, Page 183Labor, Page 133Labor, Page 129Race, Page 248Conclusion, Page 300Race, Page 254Space, Page 184Space, Page 182Race, Page 225Labor, Page 88Race, Page 232Space, Page 195Race, Page 206Race, Page 229Race, Page 221Race, Page 239Space, Page 189Performance, Page 77Race, Page 231Performance, Page 44Conclusion, Page 304Labor, Page 98Space, Page 197Conclusion, Page 286Conclusion, Page 290Performance, Page 50Labor, Page 93Space, Page 188Introduction, Page 30Performance, Page 74Space, Page 170Labor, Page 123Performance, Page 84Introduction, Page 2Conclusion, Page 292Labor, Page 109Performance, Page 45Performance, Page 35Performance, Page 42Introduction, Page 23Space, Page 169Conclusion, Page 302Labor, Page 128Space, Page 146Race, Page 253Labor, Page 112Space, Page 163Labor, Page 101Introduction, Page 21Introduction, Page 14Performance, Page 54Race, Page 235Space, Page 137Conclusion, Page 296Labor, Page 97Labor, Page 113Performance, Page 60Space, Page 141Race, Page 242Space, Page 166Labor, Page 102Labor, Page 131Performance, Page 70Conclusion, Page 268Space, Page 171Space, Page 191