Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Performance, page 7 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Performance, Page 45

Toward the end of his life, the creator of Felix the Cat, Otto Messmer, reminisced almost seventy years after about the first performances of animation he saw as a child, particularly Winsor McCay's How a Mosquito Operates (1912) and James Blackton's The Enchanted Drawing (1900).

The performative connection between the vaudeville stage and cartoons continued for decades, in part because of the work of animators such as Messmer. For example, Felix in Hollywood (1923) features an appearance from the star of stage and screen, comedian Charlie Chaplin, suggesting a continuity between the performative traditions of vaudeville and the British music  hall and the animated spaces of cartoons. 

Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Performance, Page 45"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Performance, page 7 of 25 Next page on path
James Stuart Blackton    Edison    Winsor McCay    Black and White    With Live Characters (Animators)    Felix the Cat    1910s    1920s    Moving Image    Silent

Related:  Race, Page 224,  Performance, Page 41,  Space, Page 146,  Space, Page 187,  Space, Page 181,  Space, Page 143,  Performance, Page 52,  Performance, Page 50,  Performance, Page 56,  Race, Page 230,  Space, Page 150,  Race, Page 239,  Performance, Page 54,  Labor, Page 119,  Space, Page 141,  Performance, Page 72,  Performance, Page 34,  Space, Page 155,  Conclusion, Page 289,  Race, Page 206,  Labor, Page 112,  Labor, Page 132,  Race, Page 204,  Race, Page 247,  Space, Page 148,  Introduction, Page 29,  Space, Page 175,  Introduction, Page 23,  Labor, Page 109,  Space, Page 163,  Space, Page 195,  Race, Page 252,  Introduction, Page 4,  Performance, Page 44,  Labor, Page 122,  Space, Page 172,  Race, Page 229,  Race, Page 213,  Performance, Page 35,  Space, Page 169,  Labor, Page 110,  Labor, Page 88,  Space, Page 182,  Conclusion, Page 291,  Conclusion, Page 303,  Performance, Page 42,  Performance, Page 43,  Performance, Page 74,  Space, Page 178,  Race, Page 221,  Race, Page 254,  Introduction, Page 30,  Conclusion, Page 296,  Labor, Page 113,  Labor, Page 115,  Conclusion, Page 300,  Labor, Page 97,  Conclusion, Page 302,  Space, Page 190,  Conclusion, Page 273,  Performance, Page 47,  Race, Page 220,  Labor, Page 93,  Performance, Page 46,  Space, Page 191,  Performance, Page 76,  Conclusion, Page 298,  Performance, Page 70,  Conclusion, Page 290,  Performance, Page 77,  Space, Page 183,  Performance, Page 80,  Introduction, Page 2,  Performance, Page 78,  Introduction, Page 21,  Space, Page 162,  Race, Page 242,  Conclusion, Page 292,  Conclusion, Page 286,  Race, Page 231,  Space, Page 166,  Performance, Page 84,  Space, Page 193,  Space, Page 194,  Race, Page 235,  Race, Page 253,  Space, Page 156,  Labor, Page 96,  Space, Page 177,  Labor, Page 133,  Performance, Page 82,  Space, Page 138,  Introduction, Page 14,  Labor, Page 102,  Labor, Page 128,  Race, Page 261,  Race, Page 225,  Space, Page 159,  Introduction, Page 1,  Space, Page 152,  Labor, Page 129,  Race, Page 258,  Conclusion, Page 275,  Race, Page 248,  Labor, Page 123,  Space, Page 197,  Conclusion, Page 284,  Race, Page 232,  Conclusion, Page 304,  Space, Page 170,  Performance, Page 60,  Labor, Page 98,  Space, Page 188,  Conclusion, Page 278,  Introduction, Page 6,  Introduction, Page 9,  Space, Page 165,  Race, Page 251,  Space, Page 189,  Conclusion, Page 268