Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 20 of 21

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 132

Demonstrating animation's important role in using  music to sell the new technology of sound film, The Band Concert (1935) was the first Mickey Mouse cartoon in color, and featured Mickey conducting an outdoor concert of the William Tell Overture. Donald Duck's invasion of the concert, playing "Turkey in the Straw" on a fife, hearkens back to the vaudeville stage...and to blackface minstrelsy, since "Turkey in the Straw" was originally known as "Old Zip Coon."

As Mickey struggles to maintain control over the band, the storm segment of the overture seems to produce an actual tornado. The issue of Mickey's control over the music, and how much the music in turn controlled the entire band, echoes performances of the animator's control over their own animation and audience.

Compare this short to earlier Disney's first sync-sound cartoon, Steamboat Willie (1928), which also uses "Old Zip Coon."
Comment on this page
 

Discussion of "Labor, Page 132"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 20 of 21 Next page on path

Related:  Conclusion, Page 298Labor, Page 88Space, Page 193Race, Page 248Performance, Page 34Performance, Page 45Conclusion, Page 291Race, Page 252Labor, Page 113Introduction, Page 6Race, Page 261Labor, Page 133Performance, Page 82Conclusion, Page 296Race, Page 230Performance, Page 50Space, Page 178Performance, Page 47Race, Page 220Race, Page 204Race, Page 251Labor, Page 112Space, Page 194Introduction, Page 2Labor, Page 122Performance, Page 52Space, Page 190Space, Page 175Race, Page 254Space, Page 143Introduction, Page 14Race, Page 206Space, Page 177Labor, Page 110Space, Page 170Conclusion, Page 292Performance, Page 42Race, Page 232Race, Page 247Performance, Page 41Labor, Page 123Race, Page 229Space, Page 155Race, Page 221Conclusion, Page 286Race, Page 258Introduction, Page 21Performance, Page 44Labor, Page 128Labor, Page 109Race, Page 253Race, Page 239Space, Page 187Space, Page 162Space, Page 189Space, Page 188Performance, Page 70Space, Page 181Introduction, Page 29Space, Page 183Space, Page 146Performance, Page 46Space, Page 182Conclusion, Page 300Space, Page 197Labor, Page 119Conclusion, Page 304Space, Page 152Performance, Page 72Space, Page 148Conclusion, Page 303Conclusion, Page 289Conclusion, Page 290Race, Page 235Race, Page 224Space, Page 191Race, Page 225Performance, Page 74Performance, Page 43Performance, Page 84Race, Page 213Conclusion, Page 284Conclusion, Page 302Conclusion, Page 275Space, Page 165Performance, Page 77Race, Page 231Space, Page 172Performance, Page 35Labor, Page 101Labor, Page 131Space, Page 150Labor, Page 98Conclusion, Page 278Introduction, Page 1Space, Page 141Space, Page 184Labor, Page 102Introduction, Page 4Labor, Page 129Introduction, Page 30Space, Page 163Performance, Page 54Performance, Page 60Space, Page 138Conclusion, Page 273Introduction, Page 23