Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 303

In an imagined post-racial era, invocations of hope and change by the Obama campaign of 2008 have not been fully realized, as pointed out by Larry Wilmore on The Daily Show a year after Obama's arrival in the White House.

These expectations are based in part on a shared fantasy of the Magical Negro—characters such as Michael Clarke Duncan's John Coffee in The Green Mile (1999) or Will Smith in the title role in Bagger Vance (2000), or almost any character played by Morgan Freeman. The trope of the Magical Negro embodies fantastic blackness and a white anxiety/desire that African Americans are somehow more connected to other, supernatural realms not accessible to white experience.
Comment on this page
 

Discussion of "Conclusion, Page 303"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 18 of 19 Next page on path

Related:  Conclusion, Page 302Space, Page 150Race, Page 258Introduction, Page 16Space, Page 146Introduction, Page 15Race, Page 221Space, Page 188Space, Page 182Performance, Page 42Introduction, Page 30Space, Page 191Performance, Page 34Performance, Page 45Performance, Page 43Race, Page 261Performance, Page 47Race, Page 231Performance, Page 60Race, Page 248Space, Page 175Race, Page 251Introduction, Page 14Space, Page 183Conclusion, Page 275Race, Page 239Space, Page 187Conclusion, Page 273Race, Page 220Race, Page 225Performance, Page 41Conclusion, Page 290Conclusion, Page 284Space, Page 155Conclusion, Page 304Conclusion, Page 278Introduction, Page 2Introduction, Page 6Space, Page 181Labor, Page 132Performance, Page 77Conclusion, Page 292Space, Page 138Conclusion, Page 271Race, Page 206Performance, Page 50Space, Page 197Introduction, Page 4Space, Page 162Performance, Page 35Labor, Page 98Performance, Page 72Space, Page 194Labor, Page 112Race, Page 213Space, Page 177Race, Page 253Space, Page 190Labor, Page 128Performance, Page 46Race, Page 224Performance, Page 82Race, Page 232Space, Page 170Labor, Page 110Space, Page 141Race, Page 219Race, Page 230Performance, Page 54Race, Page 247Space, Page 148Introduction, Page 23Space, Page 189Conclusion, Page 286Conclusion, Page 296Labor, Page 133Introduction, Page 1Space, Page 163Labor, Page 123Labor, Page 113Space, Page 178Race, Page 235Race, Page 254Conclusion, Page 298Space, Page 143Conclusion, Page 291Conclusion, Page 300Labor, Page 122Race, Page 252Space, Page 193Space, Page 172Introduction, Page 21Labor, Page 88Performance, Page 52Race, Page 229Introduction, Page 29Performance, Page 44Space, Page 165Conclusion, Page 289Race, Page 204Performance, Page 84Labor, Page 109Performance, Page 74