Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 275

In Tropic Thunder (2008), Robert Downey Jr. as Kirk Lazarus/Lincoln Osiris tries to calm Ben Stiller as a lost Tugg  Speedman (a la Marlon Brando in Apocalypse Now [1979]), then loses himself in a mirror.

In an earlier scene, Stiller as the failing action star Speedman witness his failure as an actor while playing the mentally disabled Jack in Simple Jack, one of the movies-within-a-movie in Tropic Thunder (2008).

Tropic Thunder plays with notions of racial authenticity in transgressive ways, yet the primary backlash against the film was not for its use of blackface; it came from disability advocacy communities over the repeated use of "retard" and the portrayal of Simple Jack.

Tropic Thunder attempts to deflect criticism of its portrayal of race by mounting an internal self-critique. Brandon T. Jackson's character, Alpa Chino, repeatedly calls out Lazarus for his minstrel performance—what New York Times film critic Manhola Dargis has described as "the filmmakers' way of having their chocolate cake and eating it too."
Comment on this page
 

Discussion of "Conclusion, Page 275"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 6 of 19 Next page on path

Related:  Introduction, Page 30Introduction, Page 4Conclusion, Page 273Race, Page 224Space, Page 150Conclusion, Page 292Introduction, Page 2Performance, Page 35Race, Page 235Labor, Page 123Introduction, Page 23Performance, Page 42Space, Page 197Labor, Page 109Race, Page 225Race, Page 213Labor, Page 113Labor, Page 133Conclusion, Page 303Space, Page 170Space, Page 194Performance, Page 82Space, Page 193Performance, Page 77Space, Page 187Race, Page 251Labor, Page 112Conclusion, Page 278Space, Page 191Introduction, Page 29Performance, Page 41Space, Page 190Space, Page 146Race, Page 258Race, Page 261Conclusion, Page 286Introduction, Page 15Performance, Page 52Labor, Page 132Conclusion, Page 284Space, Page 172Race, Page 221Performance, Page 47Space, Page 163Conclusion, Page 290Space, Page 162Race, Page 230Performance, Page 44Space, Page 189Performance, Page 43Conclusion, Page 300Space, Page 148Conclusion, Page 271Conclusion, Page 304Performance, Page 60Conclusion, Page 302Race, Page 247Performance, Page 50Space, Page 141Introduction, Page 21Race, Page 206Space, Page 143Performance, Page 54Introduction, Page 14Race, Page 220Labor, Page 88Race, Page 254Space, Page 181Introduction, Page 1Race, Page 231Space, Page 177Performance, Page 84Labor, Page 122Performance, Page 34Race, Page 252Introduction, Page 16Performance, Page 45Labor, Page 98Conclusion, Page 289Labor, Page 110Space, Page 175Conclusion, Page 291Space, Page 178Performance, Page 46Race, Page 204Conclusion, Page 298Introduction, Page 6Performance, Page 74Space, Page 188Race, Page 229Race, Page 248Space, Page 182Space, Page 138Performance, Page 72Space, Page 183Space, Page 165Race, Page 253Space, Page 155Labor, Page 128Race, Page 232Conclusion, Page 296Race, Page 239