Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 302

In To Beep or Not to Beep (1963), Wile E. Coyote looks imploringly to his audience moments before the suffering begins again. Cartoons offered the illusion of suffering as a joke, a repetitious ritual of controlled (un)pleasure. This cartoon features Wile E. Coyote trying a variety of ACME products to try to outdo his adversary. Another example of sadomasochistic comedy, this cartoon is also an inside joke, as Donald Crafton has pointed out, on standard-issue animation equipment made by the ACME corporation.
Comment on this page
 

Discussion of "Conclusion, Page 302"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 17 of 19 Next page on path

Related:  Conclusion, Page 296Labor, Page 88Conclusion, Page 304Space, Page 193Labor, Page 132Performance, Page 42Conclusion, Page 286Labor, Page 109Introduction, Page 29Space, Page 152Conclusion, Page 290Labor, Page 113Introduction, Page 2Race, Page 258Space, Page 188Performance, Page 54Labor, Page 123Conclusion, Page 272Race, Page 229Space, Page 177Space, Page 170Labor, Page 112Space, Page 194Space, Page 141Space, Page 143Conclusion, Page 291Space, Page 162Conclusion, Page 289Introduction, Page 14Performance, Page 74Performance, Page 47Race, Page 261Performance, Page 46Labor, Page 98Space, Page 190Space, Page 155Race, Page 204Conclusion, Page 298Performance, Page 82Race, Page 239Labor, Page 101Labor, Page 110Space, Page 175Conclusion, Page 284Space, Page 181Performance, Page 84Space, Page 189Conclusion, Page 300Space, Page 163Performance, Page 77Conclusion, Page 292Space, Page 165Conclusion, Page 303Race, Page 224Space, Page 182Space, Page 146Race, Page 206Race, Page 254Race, Page 230Performance, Page 70Race, Page 253Labor, Page 119Performance, Page 44Labor, Page 122Race, Page 231Race, Page 235Race, Page 247Space, Page 148Labor, Page 128Race, Page 232Performance, Page 34Space, Page 150Space, Page 172Race, Page 225Conclusion, Page 273Space, Page 197Performance, Page 35Labor, Page 133Race, Page 221Space, Page 178Introduction, Page 4Labor, Page 129Introduction, Page 6Introduction, Page 12Performance, Page 72Race, Page 220Space, Page 183Race, Page 248Space, Page 191Race, Page 213Introduction, Page 21Performance, Page 52Race, Page 252Space, Page 187Space, Page 184Race, Page 251Performance, Page 41Introduction, Page 1Space, Page 196Performance, Page 60Conclusion, Page 274Introduction, Page 30Space, Page 138Conclusion, Page 275Performance, Page 50Conclusion, Page 278Performance, Page 43Introduction, Page 23Performance, Page 45