Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 17 of 19
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 302

In To Beep or Not to Beep (1963), Wile E. Coyote looks imploringly to his audience moments before the suffering begins again. Cartoons offered the illusion of suffering as a joke, a repetitious ritual of controlled (un)pleasure. This cartoon features Wile E. Coyote trying a variety of ACME products to try to outdo his adversary. Another example of sadomasochistic comedy, this cartoon is also an inside joke, as Donald Crafton has pointed out, on standard-issue animation equipment made by the ACME corporation.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Conclusion, Page 302"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 17 of 19 Next page on path
1960s    Cartoons    Moving Image    Black and White    Color    Chuck Jones    Warner Bros

Related:  Performance, Page 50,  Space, Page 190,  Race, Page 229,  Race, Page 213,  Space, Page 178,  Race, Page 252,  Space, Page 148,  Race, Page 221,  Race, Page 204,  Performance, Page 41,  Performance, Page 34,  Introduction, Page 2,  Race, Page 224,  Space, Page 177,  Conclusion, Page 286,  Race, Page 230,  Labor, Page 123,  Introduction, Page 6,  Conclusion, Page 300,  Space, Page 187,  Race, Page 251,  Labor, Page 98,  Performance, Page 70,  Performance, Page 45,  Space, Page 150,  Introduction, Page 21,  Race, Page 231,  Performance, Page 74,  Space, Page 189,  Performance, Page 46,  Labor, Page 110,  Introduction, Page 12,  Race, Page 206,  Performance, Page 77,  Introduction, Page 4,  Labor, Page 119,  Space, Page 188,  Race, Page 261,  Race, Page 254,  Race, Page 248,  Performance, Page 82,  Performance, Page 42,  Labor, Page 133,  Race, Page 258,  Conclusion, Page 298,  Space, Page 196,  Conclusion, Page 284,  Space, Page 182,  Performance, Page 84,  Performance, Page 52,  Conclusion, Page 304,  Space, Page 162,  Performance, Page 54,  Space, Page 146,  Space, Page 184,  Race, Page 247,  Race, Page 253,  Labor, Page 113,  Labor, Page 112,  Labor, Page 132,  Conclusion, Page 291,  Introduction, Page 14,  Race, Page 225,  Performance, Page 47,  Race, Page 220,  Space, Page 181,  Space, Page 143,  Space, Page 138,  Space, Page 194,  Race, Page 232,  Labor, Page 122,  Race, Page 239,  Introduction, Page 1,  Space, Page 141,  Conclusion, Page 289,  Introduction, Page 23,  Conclusion, Page 292,  Labor, Page 109,  Conclusion, Page 273,  Performance, Page 72,  Labor, Page 88,  Race, Page 235,  Labor, Page 101,  Introduction, Page 30,  Space, Page 172,  Space, Page 175,  Space, Page 155,  Space, Page 183,  Conclusion, Page 296,  Space, Page 197,  Space, Page 193,  Introduction, Page 29,  Performance, Page 43,  Space, Page 165,  Performance, Page 44,  Space, Page 163,  Performance, Page 35,  Conclusion, Page 272,  Conclusion, Page 275,  Conclusion, Page 274,  Performance, Page 60,  Labor, Page 129,  Labor, Page 128,  Conclusion, Page 278,  Conclusion, Page 290,  Space, Page 170,  Space, Page 191,  Space, Page 152,  Conclusion, Page 303