Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 98

In Ko-Ko Needles The Boss (1927), a rotoscoped Dave Fleischer as Ko-Ko the Clown does a battle with Ko-Ko's putative creator, Max Fleischer

At first, the Fleischer studio managed with only ten additional workers. Though its staff expanded in 1923, the Fleischers continued to perform the labor of animation on screen as the product of a lone craftsman, usually Dave or Max. Workplace tensions between artists and managers were often expressed on screen as a struggle between the producer and the product regularly in early cartoons, as animated images or characters drawn by artists constantly threatened to escape the drawn world and create havoc in the world of the animator. 
Comment on this page
 

Discussion of "Labor, Page 98"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 5 of 21 Next page on path

Related:  Labor, Page 119Race, Page 248Race, Page 221Labor, Page 112Race, Page 253Labor, Page 123Space, Page 187Labor, Page 88Performance, Page 77Space, Page 193Conclusion, Page 292Space, Page 184Labor, Page 132Space, Page 170Space, Page 152Space, Page 178Space, Page 150Space, Page 146Space, Page 155Race, Page 231Conclusion, Page 300Performance, Page 70Race, Page 230Labor, Page 122Performance, Page 82Space, Page 175Space, Page 181Space, Page 162Conclusion, Page 290Performance, Page 74Race, Page 239Performance, Page 50Race, Page 204Space, Page 148Conclusion, Page 284Conclusion, Page 289Space, Page 156Conclusion, Page 278Race, Page 224Labor, Page 109Performance, Page 84Race, Page 206Race, Page 251Performance, Page 54Space, Page 165Performance, Page 45Race, Page 254Labor, Page 133Introduction, Page 30Labor, Page 102Space, Page 143Labor, Page 97Race, Page 252Conclusion, Page 304Introduction, Page 29Labor, Page 110Performance, Page 47Introduction, Page 21Labor, Page 128Performance, Page 60Race, Page 225Conclusion, Page 296Introduction, Page 2Performance, Page 72Race, Page 220Space, Page 166Labor, Page 129Space, Page 194Race, Page 258Conclusion, Page 291Space, Page 141Introduction, Page 1Conclusion, Page 273Performance, Page 46Space, Page 177Race, Page 235Labor, Page 96Space, Page 197Performance, Page 34Conclusion, Page 302Performance, Page 44Introduction, Page 4Performance, Page 42Space, Page 189Space, Page 195Race, Page 247Space, Page 182Space, Page 190Space, Page 172Race, Page 242Introduction, Page 23Conclusion, Page 303Introduction, Page 6Labor, Page 101Race, Page 261Race, Page 229Conclusion, Page 298Performance, Page 43Space, Page 183Conclusion, Page 275Race, Page 232Performance, Page 41Performance, Page 52Conclusion, Page 286Performance, Page 35Space, Page 188Space, Page 159Space, Page 138Performance, Page 76Introduction, Page 14Space, Page 191Space, Page 169Race, Page 213Labor, Page 113Labor, Page 93Space, Page 163Conclusion, Page 268