Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 13 of 36

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 163

An example of "black vaudeville" on film, the Vitaphone short Pie, Pie Blackbird (1932) teamed jazz singer Nina Mae McKinney with composer/bandleader Eubie Blake and child tap dancing wizards the Nicholas Brothers. This routine has McKinney playing Mammy to the brothers, singing to them about "Massah" while Blake and his band, dressed as chefs, emerge from a giant pie.

Major African American stars of the early sound era who crossed from vaudeville, Broadway, and the club circuit onto the screen were often forced to play minstreleque roles in order to gain exposure, as segregation extended to film production, distribution and exhibition. 

Comment on this page
 

Discussion of "Space, Page 163"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 13 of 36 Next page on path

Related:  Space, Page 146Labor, Page 128Race, Page 239Race, Page 251Space, Page 183Performance, Page 52Space, Page 189Conclusion, Page 300Space, Page 197Conclusion, Page 273Performance, Page 84Introduction, Page 14Performance, Page 50Performance, Page 47Labor, Page 112Performance, Page 42Race, Page 232Introduction, Page 15Space, Page 141Race, Page 253Performance, Page 44Race, Page 252Labor, Page 109Labor, Page 133Conclusion, Page 296Labor, Page 88Race, Page 258Performance, Page 45Labor, Page 123Space, Page 177Race, Page 204Space, Page 182Race, Page 261Space, Page 172Space, Page 191Conclusion, Page 278Space, Page 187Space, Page 171Conclusion, Page 289Race, Page 225Space, Page 194Conclusion, Page 291Introduction, Page 16Performance, Page 82Space, Page 178Labor, Page 122Performance, Page 60Introduction, Page 23Introduction, Page 2Space, Page 188Space, Page 190Space, Page 175Performance, Page 72Conclusion, Page 284Space, Page 143Race, Page 229Race, Page 206Race, Page 230Performance, Page 74Labor, Page 131Space, Page 181Race, Page 248Introduction, Page 21Race, Page 213Space, Page 193Space, Page 184Race, Page 247Race, Page 220Introduction, Page 1Race, Page 254Labor, Page 110Introduction, Page 29Space, Page 165Space, Page 162Race, Page 231Performance, Page 34Space, Page 152Labor, Page 119Race, Page 224Conclusion, Page 286Space, Page 138Space, Page 155Performance, Page 43Performance, Page 35Introduction, Page 4Conclusion, Page 290Performance, Page 77Space, Page 170Conclusion, Page 304Performance, Page 46Conclusion, Page 302Race, Page 221Labor, Page 113Performance, Page 54Performance, Page 41Race, Page 219Labor, Page 132Space, Page 137Conclusion, Page 303Conclusion, Page 275Conclusion, Page 292Introduction, Page 30Space, Page 148Conclusion, Page 298Space, Page 195Space, Page 150Introduction, Page 6Race, Page 235Labor, Page 98