Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 36 of 36
Previous page on path       Path end, continue

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 197

The perverse version of the black fantastic in the coming of sound film: Al Jolson samples the fruit of a pork-chop tree in an all-black heaven in Wonder Bar (1934), while cartoon darkies joyfully pick cotton in Mississippi Swing (1941). 

Depicting a continuum of diegetic spaces onscreen, animation helped to regulate and reproduce racial formations through the manner by which these spaces, both real and imagined, interacted with one another - from the stage, to the screen, to the theatre in which audiences were housed. 

Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 197"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 36 of 36 Path end, continue
1940s    Live Cinema    Cartoons    Moving Image    Sound    Color    1930s    TerryToons

Related:  Race, Page 252,  Space, Page 187,  Race, Page 229,  Space, Page 172,  Performance, Page 60,  Space, Page 178,  Labor, Page 129,  Labor, Page 110,  Conclusion, Page 296,  Space, Page 146,  Race, Page 231,  Conclusion, Page 278,  Race, Page 253,  Space, Page 181,  Race, Page 225,  Conclusion, Page 304,  Race, Page 261,  Labor, Page 98,  Race, Page 239,  Race, Page 251,  Conclusion, Page 300,  Labor, Page 88,  Space, Page 193,  Conclusion, Page 275,  Race, Page 220,  Race, Page 235,  Space, Page 194,  Space, Page 138,  Space, Page 190,  Performance, Page 46,  Space, Page 163,  Introduction, Page 14,  Space, Page 182,  Race, Page 258,  Labor, Page 122,  Space, Page 175,  Performance, Page 84,  Labor, Page 123,  Space, Page 148,  Performance, Page 47,  Labor, Page 112,  Space, Page 177,  Labor, Page 132,  Introduction, Page 6,  Performance, Page 50,  Space, Page 189,  Space, Page 183,  Performance, Page 74,  Conclusion, Page 289,  Labor, Page 128,  Race, Page 247,  Conclusion, Page 290,  Introduction, Page 30,  Space, Page 188,  Race, Page 248,  Labor, Page 109,  Race, Page 204,  Conclusion, Page 303,  Introduction, Page 23,  Conclusion, Page 286,  Race, Page 230,  Race, Page 221,  Race, Page 213,  Space, Page 143,  Labor, Page 113,  Conclusion, Page 292,  Space, Page 184,  Labor, Page 131,  Race, Page 224,  Space, Page 152,  Space, Page 150,  Conclusion, Page 302,  Race, Page 206,  Introduction, Page 4,  Conclusion, Page 298,  Space, Page 170,  Conclusion, Page 284,  Performance, Page 77,  Space, Page 162,  Introduction, Page 1,  Space, Page 165,  Conclusion, Page 273,  Space, Page 195,  Space, Page 141,  Space, Page 191,  Race, Page 232,  Introduction, Page 29,  Introduction, Page 2,  Labor, Page 133,  Labor, Page 101,  Race, Page 219,  Performance, Page 34,  Conclusion, Page 291,  Performance, Page 35,  Performance, Page 82,  Introduction, Page 21,  Performance, Page 41,  Performance, Page 72,  Space, Page 155,  Race, Page 254,  Performance, Page 40,  Performance, Page 45,  Performance, Page 70,  Performance, Page 52,  Space, Page 137,  Introduction, Page 15,  Labor, Page 119,  Space, Page 171,  Performance, Page 43,  Performance, Page 44,  Performance, Page 54,  Performance, Page 42,  Introduction, Page 16