Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 18 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 171

Public relation tips for Al Jolson's Mammy (1930) suggest staging a parade of minstrels, bridging the racial formations of minstrelsy from the screen to the street. A parade for Mammy in Boston featured a motorcycle escort, hinting at state support for the public performance of racial masquerade. These public performances reinforced the color bar, extending segregation from the real spaces of the street and the theatre to the imaginary spaces of the screen.

Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 171"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 18 of 36 Next page on path
1930s    Image

Related:  Conclusion, Page 274,  Introduction, Page 30,  Introduction, Page 9,  Space, Page 169,  Space, Page 183,  Space, Page 177,  Introduction, Page 14,  Race, Page 251,  Introduction, Page 20,  Conclusion, Page 286,  Labor, Page 126,  Labor, Page 131,  Space, Page 181,  Conclusion, Page 278,  Space, Page 137,  Space, Page 188,  Performance, Page 74,  Space, Page 163,  Conclusion, Page 289,  Space, Page 175,  Space, Page 172,  Space, Page 194,  Introduction, Page 21,  Performance, Page 80,  Race, Page 220,  Space, Page 182,  Introduction, Page 12,  Space, Page 192,  Race, Page 221,  Conclusion, Page 268,  Race, Page 232,  Labor, Page 119,  Conclusion, Page 272,  Race, Page 225,  Space, Page 195,  Space, Page 190,  Space, Page 165,  Performance, Page 62,  Space, Page 193,  Introduction, Page 18,  Performance, Page 84,  Space, Page 156,  Space, Page 191,  introduction-page-22,  Performance, Page 56,  Race, Page 206,  Race, Page 253,  Labor, Page 128,  Space, Page 159,  Race, Page 213,  Space, Page 152,  Performance, Page 78,  Performance, Page 35,  Performance, Page 40,  Race, Page 231,  Labor, Page 109,  Space, Page 170,  Introduction, Page 23,  Labor, Page 112,  Labor, Page 96,  Race, Page 257,  Space, Page 187,  Introduction, Page 29,  Space, Page 197,  Race, Page 230,  Race, Page 229,  Race, Page 258,  Labor, Page 102,  Conclusion, Page 284,  Space, Page 178,  Space, Page 162,  Space, Page 184,  Race, Page 245,  Race, Page 219,  Performance, Page 60,  Performance, Page 43,  Labor, Page 122,  Performance, Page 72,  Labor, Page 93,  Introduction, Page 2,  Race, Page 252,  Performance, Page 67,  Race, Page 224,  Labor, Page 123,  Introduction, Page 26