Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 184

MGM's Swing Wedding (1937) is an energetically racist rendering of popular performing
artists of the day such as Fats Waller, Louis Armstrong, Cab Calloway, and Bessie Smith as frogs.
One frog is even rendered as a Stepin Fetchit caricature, with the characteristic droopy lip and slurred speech. The wedding escalates violently, bursting the thermometer into flames and prompting the musicians to destroy their own instruments.

These types of caricatures also appear in Uncle Tom's Bungalow (1937) and Coal Black and de Sebben Dwarfs (1943), both of which are parodies of popular tales: Uncle Tom's Cabin and Snow White, respectively.
Comment on this page
 

Discussion of "Space, Page 184"

Add your voice to this discussion.

Checking your signed in status ...


Related:  Performance, Page 82Labor, Page 122Space, Page 178Race, Page 235Race, Page 252Introduction, Page 29Labor, Page 101Race, Page 230Race, Page 229Introduction, Page 2Race, Page 253Space, Page 172Labor, Page 110Conclusion, Page 286Conclusion, Page 298Conclusion, Page 289Space, Page 197Labor, Page 123Space, Page 193Conclusion, Page 304Race, Page 206Space, Page 152Race, Page 225Introduction, Page 14Race, Page 221Space, Page 189Performance, Page 84Performance, Page 47Space, Page 148Conclusion, Page 296Space, Page 162Introduction, Page 21Space, Page 190Race, Page 219Space, Page 177Space, Page 194Race, Page 258Conclusion, Page 292Labor, Page 109Space, Page 138Space, Page 187Introduction, Page 23Space, Page 182Labor, Page 119Race, Page 224Labor, Page 88Race, Page 251Conclusion, Page 302Race, Page 204Race, Page 261Space, Page 181Performance, Page 60ProducersRace, Page 220Labor, Page 128Race, Page 254Labor, Page 132Space, Page 150Labor, Page 129Space, Page 163Space, Page 146Race, Page 248Space, Page 155Space, Page 191Race, Page 232Space, Page 171Space, Page 195Conclusion, Page 300Labor, Page 98Introduction, Page 30Space, Page 165Performance, Page 72Race, Page 231Space, Page 188Introduction, Page 6Space, Page 170Race, Page 213Space, Page 175Labor, Page 112Conclusion, Page 291Labor, Page 131Race, Page 239Performance, Page 74Labor, Page 133Space, Page 137Space, Page 183