Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 184

MGM's Swing Wedding (1937) is an energetically racist rendering of popular performing
artists of the day such as Fats Waller, Louis Armstrong, Cab Calloway, and Bessie Smith as frogs.
One frog is even rendered as a Stepin Fetchit caricature, with the characteristic droopy lip and slurred speech. The wedding escalates violently, bursting the thermometer into flames and prompting the musicians to destroy their own instruments.

These types of caricatures also appear in Uncle Tom's Bungalow (1937) and Coal Black and de Sebben Dwarfs (1943), both of which are parodies of popular tales: Uncle Tom's Cabin and Snow White, respectively.
Comment on this page
 

Discussion of "Space, Page 184"

Add your voice to this discussion.

Checking your signed in status ...


Related:  Race, Page 248Race, Page 235Labor, Page 123Conclusion, Page 300Labor, Page 122Space, Page 172Space, Page 193Space, Page 171Introduction, Page 23Race, Page 254Performance, Page 74Space, Page 189Introduction, Page 2Race, Page 252Introduction, Page 21Space, Page 170Conclusion, Page 286Space, Page 146Space, Page 195Conclusion, Page 292Labor, Page 129Race, Page 258Introduction, Page 14Labor, Page 119Conclusion, Page 296Space, Page 163Space, Page 182Labor, Page 128Race, Page 206Space, Page 190Race, Page 225Space, Page 188Labor, Page 109Space, Page 175Race, Page 204Race, Page 251Introduction, Page 29Race, Page 253Space, Page 165Space, Page 152Conclusion, Page 304Race, Page 230Space, Page 191Race, Page 231Introduction, Page 6Space, Page 183Performance, Page 82Performance, Page 72Labor, Page 112Conclusion, Page 289Space, Page 197Race, Page 224Space, Page 162Space, Page 181Space, Page 178Labor, Page 110Introduction, Page 30Space, Page 194Conclusion, Page 302Conclusion, Page 291Labor, Page 132Space, Page 150Space, Page 148Race, Page 261Performance, Page 47Performance, Page 84Race, Page 229Space, Page 177Labor, Page 101Race, Page 221Space, Page 138Race, Page 220Conclusion, Page 298Race, Page 232Space, Page 187Space, Page 155Race, Page 219ProducersPerformance, Page 60Labor, Page 98Space, Page 137Race, Page 239Race, Page 213Labor, Page 133Labor, Page 88Labor, Page 131