Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 15 of 21
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 123

In Hollywood goes Krazy (1932) Groucho Marx dances with a befuddled studio guard while Krazy Kat joins caricatures of popular Hollywood stars.

In Hollywood Bowl (1938), Groucho pursues Greta Garbo, who has very large feet. 

In Thugs with Dirty Mugs (1939), a bulldog version of Edward G. Robinson threatens an audience member. In one very reflexive moment an animated shadow (signifying an audience member lit by the screen)  tattles to the police about Robinson's secret hiding spot. 

Indicative of the central role that cartoons played in the transition to sound film, these cartoons simultaneously operated as replacements for live acts before  features and as advertisements for other films and stars.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Labor, Page 123"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 15 of 21 Next page on path
Walter Lantz    Universal    Krazy Kat    Black and White    Color    Warner Bros    1930s    Leon Schlesinger    Cartoons    Moving Image    Sound

Related:  Introduction, Page 6,  Labor, Page 112,  Labor, Page 113,  Space, Page 188,  Race, Page 261,  Labor, Page 88,  Space, Page 194,  Performance, Page 42,  Introduction, Page 29,  Conclusion, Page 304,  Conclusion, Page 300,  Race, Page 248,  Labor, Page 122,  Race, Page 251,  Race, Page 252,  Space, Page 172,  Race, Page 230,  Performance, Page 84,  Performance, Page 72,  Space, Page 165,  Race, Page 220,  Race, Page 232,  Space, Page 181,  Space, Page 146,  Race, Page 253,  Space, Page 184,  Conclusion, Page 286,  Space, Page 138,  Space, Page 163,  Space, Page 182,  Introduction, Page 21,  Race, Page 231,  Performance, Page 74,  Race, Page 204,  Conclusion, Page 292,  Performance, Page 35,  Labor, Page 109,  Performance, Page 82,  Race, Page 221,  Space, Page 143,  Conclusion, Page 296,  Race, Page 235,  Labor, Page 129,  Labor, Page 110,  Labor, Page 128,  Race, Page 258,  Conclusion, Page 289,  Conclusion, Page 302,  Labor, Page 132,  Labor, Page 133,  Race, Page 206,  Space, Page 152,  Space, Page 189,  Space, Page 187,  Space, Page 148,  Space, Page 197,  Performance, Page 34,  Performance, Page 47,  Space, Page 193,  Race, Page 254,  Introduction, Page 2,  Conclusion, Page 273,  Race, Page 229,  Conclusion, Page 298,  Labor, Page 119,  Space, Page 155,  Space, Page 137,  Conclusion, Page 303,  Conclusion, Page 290,  Race, Page 225,  Race, Page 239,  Space, Page 178,  Space, Page 190,  Space, Page 141,  Race, Page 224,  Space, Page 150,  Performance, Page 45,  Conclusion, Page 291,  Race, Page 213,  Performance, Page 50,  Performance, Page 77,  Performance, Page 54,  Performance, Page 60,  Race, Page 219,  Space, Page 175,  Introduction, Page 30,  Labor, Page 98,  Introduction, Page 14,  Performance, Page 70,  Space, Page 170,  Space, Page 162,  Space, Page 177,  Introduction, Page 4,  Space, Page 171,  Labor, Page 101,  Performance, Page 52,  Introduction, Page 1,  Space, Page 183,  Conclusion, Page 284,  Conclusion, Page 275,  Labor, Page 131,  Space, Page 195,  Introduction, Page 23,  Space, Page 191,  Performance, Page 41,  Race, Page 247,  Conclusion, Page 278,  Performance, Page 43,  Performance, Page 44,  Performance, Page 46