Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Performance, Page 54

While McCay was performing his mastery of the lightning sketch, other animators were busy laying the groundwork for an animation industry which would be able to compete in the burgeoning yet uneven movie market. 

John and Margaret Bray began working on their Colonel Heeza Liar series (1913-1924) in the same year that McCay was producing Gertie. The preindustrial mode of artisanal production practiced by McCay would soon be superseded by the rationalized, organized animation complex, divided by a series of hierarchical roles—such as apprentice, journeymen, inker, tracer, producer and director—being developed at the Bray studios.
Comment on this page
 

Discussion of "Performance, Page 54"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Performance, page 12 of 25 Next page on path

Related:  Performance, Page 42Conclusion, Page 290Labor, Page 133Labor, Page 98Performance, Page 82Performance, Page 35Labor, Page 88Performance, Page 50Labor, Page 119Labor, Page 112Performance, Page 52Performance, Page 84Introduction, Page 4Space, Page 143Conclusion, Page 291Space, Page 172Race, Page 254Conclusion, Page 300Performance, Page 70Conclusion, Page 302Introduction, Page 21Conclusion, Page 275Conclusion, Page 296Race, Page 229Performance, Page 43Conclusion, Page 286Space, Page 181Performance, Page 34Performance, Page 44Race, Page 220Race, Page 232Race, Page 247Labor, Page 101Space, Page 162Space, Page 152Introduction, Page 6Space, Page 148Race, Page 206Labor, Page 109Conclusion, Page 289Performance, Page 78Performance, Page 60Performance, Page 56Conclusion, Page 284Conclusion, Page 278Space, Page 150Space, Page 182Race, Page 230Performance, Page 77Labor, Page 128Race, Page 213Introduction, Page 29Performance, Page 47Labor, Page 110Space, Page 170Performance, Page 45Space, Page 194Race, Page 261Space, Page 188Performance, Page 74Space, Page 193Race, Page 235Introduction, Page 14Race, Page 225Labor, Page 113Space, Page 141Space, Page 146Race, Page 251Race, Page 258Space, Page 197Race, Page 253Conclusion, Page 298Performance, Page 46Race, Page 221Conclusion, Page 304Space, Page 178Performance, Page 72Space, Page 155Race, Page 231Labor, Page 122Space, Page 187Introduction, Page 23Race, Page 252Race, Page 239Race, Page 224Space, Page 189Labor, Page 97Race, Page 204Performance, Page 41Race, Page 248Labor, Page 115Space, Page 177Labor, Page 123Space, Page 190Space, Page 163Space, Page 175Labor, Page 129Introduction, Page 9Labor, Page 132Introduction, Page 2Space, Page 138Introduction, Page 1Space, Page 165Labor, Page 96Introduction, Page 30Conclusion, Page 292Conclusion, Page 303Conclusion, Page 273Space, Page 183Space, Page 191