Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Performance, page 12 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Performance, Page 54

While McCay was performing his mastery of the lightning sketch, other animators were busy laying the groundwork for an animation industry which would be able to compete in the burgeoning yet uneven movie market. 

John and Margaret Bray began working on their Colonel Heeza Liar series (1913-1924) in the same year that McCay was producing Gertie. The preindustrial mode of artisanal production practiced by McCay would soon be superseded by the rationalized, organized animation complex, divided by a series of hierarchical roles—such as apprentice, journeymen, inker, tracer, producer and director—being developed at the Bray studios.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Performance, Page 54"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Performance, page 12 of 25 Next page on path
Margaret Bray    Winsor McCay    Colonel Heeza Liar    1910s    Cartoons    Moving Image    Silent    Black and White    John Randolph Bray

Related:  Performance, Page 52,  Race, Page 220,  Conclusion, Page 291,  Labor, Page 119,  Labor, Page 113,  Space, Page 162,  Labor, Page 115,  Performance, Page 34,  Race, Page 247,  Labor, Page 129,  Conclusion, Page 303,  Labor, Page 110,  Space, Page 148,  Performance, Page 44,  Performance, Page 50,  Space, Page 177,  Performance, Page 74,  Conclusion, Page 289,  Race, Page 225,  Introduction, Page 29,  Race, Page 213,  Race, Page 253,  Performance, Page 84,  Conclusion, Page 302,  Conclusion, Page 298,  Labor, Page 88,  Space, Page 193,  Space, Page 175,  Space, Page 194,  Introduction, Page 6,  Introduction, Page 2,  Space, Page 165,  Labor, Page 97,  Labor, Page 101,  Conclusion, Page 296,  Space, Page 143,  Performance, Page 45,  Introduction, Page 4,  Labor, Page 122,  Race, Page 230,  Conclusion, Page 292,  Race, Page 229,  Space, Page 182,  Race, Page 224,  Space, Page 170,  Race, Page 254,  Race, Page 204,  Performance, Page 41,  Space, Page 146,  Space, Page 189,  Race, Page 221,  Performance, Page 77,  Race, Page 239,  Performance, Page 42,  Space, Page 178,  Performance, Page 47,  Conclusion, Page 290,  Space, Page 181,  Performance, Page 46,  Labor, Page 112,  Performance, Page 78,  Labor, Page 133,  Space, Page 150,  Performance, Page 35,  Race, Page 258,  Race, Page 248,  Labor, Page 128,  Race, Page 252,  Race, Page 232,  Conclusion, Page 278,  Performance, Page 72,  Performance, Page 70,  Introduction, Page 14,  Performance, Page 56,  Space, Page 163,  Conclusion, Page 284,  Conclusion, Page 300,  Space, Page 172,  Introduction, Page 23,  Race, Page 251,  Conclusion, Page 304,  Race, Page 231,  Space, Page 155,  Space, Page 197,  Labor, Page 123,  Space, Page 152,  Labor, Page 98,  Conclusion, Page 275,  Race, Page 261,  Labor, Page 132,  Race, Page 206,  Space, Page 191,  Space, Page 141,  Space, Page 183,  Labor, Page 109,  Space, Page 188,  Performance, Page 43,  Space, Page 138,  Space, Page 190,  Space, Page 187,  Introduction, Page 21,  Performance, Page 82,  Conclusion, Page 286,  Race, Page 235,  Introduction, Page 1,  Performance, Page 60,  Introduction, Page 9,  Labor, Page 96,  Introduction, Page 30,  Conclusion, Page 273