Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 24 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 182

These films and cartoons represented how segregation extended far beyond the scope of what was possible in the real world.

In Al Jolson's Wonderbar (1934) and its cartoon parody Goin' To Heaven On a Mule (1934), even the realm of afterlife is segregated, containing African-Americans within one racial imaginary.

Similarly, the animation Clean Pastures (1937) manages to heighten the racism of the film it parodies, The Green Pastures (1936). While the film features a stereotypical all-black heaven, the parodic animation caricatures jazz greats such as Fats Waller, Cab Calloway, and Louis Armstrong, and depicts a segregated heaven and hell in which God and the devil vie for the souls of Harlem residents. 

Cabin in the Sky (1943) plays on a similar fantasy, mounting an all-black musical interpretation of Faust.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 182"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 24 of 36 Next page on path
1940s    Live Cinema    Cartoons    Moving Image    Sound    Color    Warner Bros    1930s    Leon Schlesinger

Related:  Labor, Page 109,  Space, Page 190,  Labor, Page 101,  Space, Page 162,  Space, Page 193,  Introduction, Page 16,  Race, Page 254,  Space, Page 143,  Space, Page 197,  Conclusion, Page 304,  Space, Page 189,  Conclusion, Page 286,  Performance, Page 35,  Race, Page 258,  Space, Page 150,  Space, Page 138,  Conclusion, Page 290,  Introduction, Page 2,  Space, Page 146,  Race, Page 220,  Race, Page 253,  Labor, Page 123,  Performance, Page 47,  Race, Page 248,  Race, Page 229,  Race, Page 230,  Performance, Page 54,  Performance, Page 84,  Space, Page 177,  Conclusion, Page 298,  Labor, Page 88,  Race, Page 224,  Introduction, Page 14,  Race, Page 239,  Conclusion, Page 292,  Conclusion, Page 291,  Space, Page 165,  Race, Page 232,  Introduction, Page 4,  Race, Page 231,  Race, Page 221,  Space, Page 184,  Space, Page 188,  Space, Page 194,  Performance, Page 40,  Labor, Page 113,  Race, Page 225,  Introduction, Page 29,  Space, Page 181,  Introduction, Page 23,  Labor, Page 129,  Labor, Page 128,  Space, Page 141,  Performance, Page 46,  Space, Page 170,  Labor, Page 98,  Space, Page 178,  Space, Page 187,  Conclusion, Page 284,  Labor, Page 133,  Performance, Page 45,  Conclusion, Page 296,  Space, Page 175,  Conclusion, Page 289,  Space, Page 152,  Conclusion, Page 275,  Performance, Page 82,  Labor, Page 122,  Space, Page 183,  Introduction, Page 6,  Conclusion, Page 302,  Labor, Page 110,  Performance, Page 43,  Race, Page 261,  Race, Page 251,  Conclusion, Page 300,  Race, Page 252,  Race, Page 235,  Space, Page 155,  Labor, Page 132,  Space, Page 191,  Space, Page 148,  Space, Page 163,  Race, Page 247,  Race, Page 213,  Performance, Page 60,  Race, Page 206,  Performance, Page 72,  Introduction, Page 30,  Labor, Page 131,  Space, Page 195,  Performance, Page 74,  Performance, Page 70,  Space, Page 172,  Conclusion, Page 303,  Performance, Page 44,  Race, Page 204,  Performance, Page 42,  Space, Page 171,  Introduction, Page 1,  Conclusion, Page 273,  Labor, Page 112,  Conclusion, Page 278,  Performance, Page 34,  Labor, Page 119,  Race, Page 219,  Performance, Page 50,  Introduction, Page 21,  Introduction, Page 15,  Performance, Page 41,  Performance, Page 77,  Space, Page 137,  Performance, Page 52