Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 5 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 146

The Fleischers' Vaudeville (1924) begins with an unknown hand that draws the outline of Ko-Ko the Clown, who then waits impatiently until the he and his background are filled in.

The Fleischers had long celebrated vaudeville, and attempted to mount stage versions of some of their more popular shorts and created sing-along cartoons for vaudeville and movie houses.

In addition to its self-reflexivity, this cartoon also borrows another quality from vaudeville: it plays with race and ethnicity through social and cultural conventions/stereotypes.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 146"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 5 of 36 Next page on path
Max Fleischer    Dave Fleischer    Black and White    With Live Characters (Animators)    Vaudeville    Out of the Inkwell    Cartoons    Ko-Ko the Clown    Moving Image    Sound

Related:  Conclusion, Page 289,  Space, Page 165,  Labor, Page 109,  Performance, Page 41,  Conclusion, Page 290,  Race, Page 252,  Space, Page 172,  Race, Page 231,  Performance, Page 52,  Labor, Page 122,  Space, Page 155,  Race, Page 229,  Performance, Page 45,  Space, Page 170,  Space, Page 148,  Introduction, Page 30,  Introduction, Page 29,  Performance, Page 77,  Race, Page 230,  Race, Page 253,  Labor, Page 119,  Performance, Page 54,  Labor, Page 113,  Space, Page 141,  Performance, Page 47,  Introduction, Page 14,  Space, Page 166,  Labor, Page 88,  Labor, Page 97,  Space, Page 194,  Conclusion, Page 292,  Race, Page 248,  Space, Page 162,  Race, Page 235,  Conclusion, Page 298,  Space, Page 189,  Space, Page 187,  Labor, Page 96,  Space, Page 150,  Space, Page 175,  Labor, Page 98,  Space, Page 156,  Race, Page 206,  Performance, Page 72,  Performance, Page 35,  Labor, Page 112,  Conclusion, Page 300,  Labor, Page 123,  Conclusion, Page 296,  Space, Page 193,  Performance, Page 50,  Labor, Page 110,  Space, Page 182,  Performance, Page 44,  Performance, Page 42,  Race, Page 224,  Space, Page 152,  Conclusion, Page 302,  Race, Page 247,  Space, Page 143,  Conclusion, Page 275,  Race, Page 261,  Introduction, Page 4,  Race, Page 220,  Labor, Page 133,  Space, Page 190,  Labor, Page 132,  Conclusion, Page 291,  Race, Page 225,  Race, Page 232,  Space, Page 181,  Conclusion, Page 286,  Introduction, Page 2,  Race, Page 254,  Performance, Page 82,  Labor, Page 128,  Space, Page 178,  Performance, Page 70,  Race, Page 239,  Conclusion, Page 303,  Space, Page 138,  Introduction, Page 23,  Space, Page 177,  Conclusion, Page 278,  Conclusion, Page 284,  Labor, Page 129,  Race, Page 251,  Space, Page 163,  Performance, Page 46,  Race, Page 221,  Space, Page 188,  Introduction, Page 6,  Performance, Page 84,  Conclusion, Page 304,  Labor, Page 101,  Race, Page 258,  Performance, Page 74,  Performance, Page 34,  Space, Page 197,  Labor, Page 126,  Introduction, Page 21,  Labor, Page 115,  Race, Page 213,  Space, Page 191,  Race, Page 204,  Performance, Page 43,  Space, Page 184,  Introduction, Page 1,  Performance, Page 60,  Space, Page 183,  Conclusion, Page 273