Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 18 of 21

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 129

This famous scene from Anchors Aweigh (1945) features a dance routine combining live action and animation between two stars: Gene Kelly and Jerry Mouse of Tom and Jerry. 

The scene demonstrates a coming together of experimentation in dance (pursued probably most famously by Kelly and by Fred Astaire in their uniquely filmed dance numbers) and in animation. It also underscores the common roots of vaudeville, minstrelsy and the Broadway reviews from which, in part, Hollywood film and popular American animation sprang.
Comment on this page
 

Discussion of "Labor, Page 129"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 18 of 21 Next page on path

Related:  Space, Page 188Race, Page 258Conclusion, Page 290Race, Page 220Labor, Page 98Space, Page 175Labor, Page 88Space, Page 165Conclusion, Page 291Space, Page 172Race, Page 221Performance, Page 50Space, Page 146Space, Page 181Race, Page 235Performance, Page 45Labor, Page 119Race, Page 252Introduction, Page 29Labor, Page 101Race, Page 254Race, Page 239Race, Page 229Performance, Page 46Race, Page 253Space, Page 152Race, Page 248Conclusion, Page 296Labor, Page 122Space, Page 195Space, Page 148Introduction, Page 6Race, Page 231Race, Page 247Conclusion, Page 300Performance, Page 74Conclusion, Page 302Space, Page 190Race, Page 224Space, Page 187Labor, Page 128Performance, Page 35Space, Page 194Conclusion, Page 298Space, Page 150Conclusion, Page 289Space, Page 182Labor, Page 133Labor, Page 132Race, Page 204Race, Page 206Space, Page 177Labor, Page 110Performance, Page 72Race, Page 225Space, Page 178Space, Page 183Space, Page 162Conclusion, Page 292Space, Page 138Race, Page 251Labor, Page 109Race, Page 230Race, Page 261Introduction, Page 21Introduction, Page 14Race, Page 232Conclusion, Page 304Labor, Page 123Performance, Page 84Labor, Page 112Space, Page 197Performance, Page 42Performance, Page 82Space, Page 189Performance, Page 47Conclusion, Page 286Space, Page 193Performance, Page 40Space, Page 155Space, Page 141Introduction, Page 23Performance, Page 54Performance, Page 44Performance, Page 70Introduction, Page 30Performance, Page 77Introduction, Page 2Labor, Page 113Space, Page 184Space, Page 143