Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 18 of 21

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 129

This famous scene from Anchors Aweigh (1945) features a dance routine combining live action and animation between two stars: Gene Kelly and Jerry Mouse of Tom and Jerry. 

The scene demonstrates a coming together of experimentation in dance (pursued probably most famously by Kelly and by Fred Astaire in their uniquely filmed dance numbers) and in animation. It also underscores the common roots of vaudeville, minstrelsy and the Broadway reviews from which, in part, Hollywood film and popular American animation sprang.
Comment on this page
 

Discussion of "Labor, Page 129"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 18 of 21 Next page on path

Related:  Introduction, Page 14Performance, Page 44Race, Page 225Labor, Page 122Conclusion, Page 289Race, Page 252Labor, Page 101Conclusion, Page 292Race, Page 253Labor, Page 112Performance, Page 54Performance, Page 42Performance, Page 45Conclusion, Page 304Space, Page 152Race, Page 235Performance, Page 72Labor, Page 88Race, Page 247Race, Page 248Introduction, Page 2Race, Page 258Labor, Page 133Space, Page 182Labor, Page 128Space, Page 155Race, Page 231Race, Page 204Space, Page 150Space, Page 187Space, Page 172Performance, Page 47Conclusion, Page 286Labor, Page 113Space, Page 143Space, Page 189Race, Page 261Race, Page 251Space, Page 193Performance, Page 50Race, Page 220Performance, Page 35Introduction, Page 6Space, Page 138Race, Page 254Performance, Page 82Conclusion, Page 296Labor, Page 123Performance, Page 77Race, Page 224Labor, Page 109Space, Page 165Introduction, Page 23Race, Page 230Space, Page 188Labor, Page 110Space, Page 141Conclusion, Page 302Conclusion, Page 300Space, Page 178Labor, Page 119Space, Page 177Race, Page 229Race, Page 206Performance, Page 70Space, Page 194Conclusion, Page 290Labor, Page 98Space, Page 148Labor, Page 132Space, Page 184Performance, Page 84Introduction, Page 29Space, Page 175Conclusion, Page 298Performance, Page 46Performance, Page 74Introduction, Page 30Space, Page 197Race, Page 232Space, Page 181Race, Page 221Race, Page 239Conclusion, Page 291Space, Page 146Space, Page 195Space, Page 183Introduction, Page 21Space, Page 162Space, Page 190Performance, Page 40