Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 8 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 225

Echoing minstrel characters such as Jim Crow in his dress, his makeup, and his gestural repertoire, Mickey Mouse is not like a minstrel, he is a minstrel.

The practice of chattel slavery was designed to render human being as animals. As part of that process of dehumanization, slaves were described as as animalistic, infantile, lazy, as embodiments of a "natural" racial hierarchy. Blackface minstrelsy celebrated the image of the plantation "darky" resisting the white civilization that demonized her/him, becoming a projection of racial anxiety and regulation made into a joke. 

Jim Crow Image Courtesy of the Library of Congress
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Race, Page 225"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 8 of 25 Next page on path
Moving Image    Sound    Black and White    Walt Disney    Mickey Mouse    1930s    Pluto    Cartoons    Image

Related:  Space, Page 188,  Race, Page 232,  Space, Page 194,  Race, Page 231,  Space, Page 177,  Labor, Page 110,  Performance, Page 46,  Space, Page 171,  Space, Page 170,  Conclusion, Page 292,  Race, Page 220,  Space, Page 165,  Conclusion, Page 289,  Labor, Page 109,  Race, Page 221,  Space, Page 143,  Introduction, Page 29,  Space, Page 183,  Space, Page 187,  Space, Page 197,  Introduction, Page 2,  Conclusion, Page 300,  Performance, Page 45,  Space, Page 191,  Race, Page 254,  introduction-page-22,  Performance, Page 82,  Labor, Page 132,  Space, Page 155,  Space, Page 189,  Space, Page 175,  Labor, Page 98,  Space, Page 181,  Performance, Page 60,  Introduction, Page 14,  Race, Page 213,  Race, Page 204,  Performance, Page 84,  Race, Page 230,  Labor, Page 112,  Performance, Page 72,  Space, Page 150,  Performance, Page 54,  Labor, Page 102,  Introduction, Page 30,  Race, Page 229,  Race, Page 248,  Introduction, Page 26,  Race, Page 251,  Labor, Page 131,  Labor, Page 88,  Introduction, Page 4,  Conclusion, Page 304,  Conclusion, Page 298,  Labor, Page 123,  Introduction, Page 6,  Conclusion, Page 286,  Race, Page 253,  Space, Page 190,  Performance, Page 52,  Labor, Page 101,  Space, Page 152,  Space, Page 178,  Conclusion, Page 278,  Performance, Page 62,  Performance, Page 42,  Conclusion, Page 291,  Conclusion, Page 296,  Space, Page 146,  Race, Page 258,  Performance, Page 44,  Labor, Page 128,  Space, Page 172,  Labor, Page 122,  Conclusion, Page 302,  Race, Page 247,  Performance, Page 70,  Performance, Page 77,  Labor, Page 113,  Space, Page 184,  Performance, Page 74,  Race, Page 252,  Space, Page 148,  Race, Page 261,  Space, Page 162,  Performance, Page 78,  Performance, Page 40,  Race, Page 206,  Introduction, Page 23,  Performance, Page 67,  Performance, Page 47,  Performance, Page 56,  Space, Page 192,  Performance, Page 50,  Race, Page 224,  Race, Page 235,  Space, Page 141,  Conclusion, Page 275,  Labor, Page 126,  Labor, Page 119,  Labor, Page 133,  Race, Page 239,  Performance, Page 41,  Space, Page 169,  Space, Page 163,  Labor, Page 96,  Labor, Page 129,  Performance, Page 34,  Space, Page 159,  Race, Page 257,  Space, Page 182,  Performance, Page 43,  Space, Page 195,  Introduction, Page 18,  Conclusion, Page 290,  Space, Page 193,  Conclusion, Page 273,  Introduction, Page 21,  Conclusion, Page 284,  Introduction, Page 9,  Conclusion, Page 303,  Labor, Page 93,  Conclusion, Page 268,  Introduction, Page 20,  Performance, Page 35,  Race, Page 219,  Conclusion, Page 274,  Space, Page 156,  Space, Page 137,  Performance, Page 80,  Introduction, Page 1,  Race, Page 245,  Space, Page 138,  Conclusion, Page 272,  Introduction, Page 12