Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 286

The radical deformation of the body that Eisenstein referred to as plasmaticness, is performed in The Foghorn Leghorn (1948), as it had been earlier in Snow White (1932). Comedy is an exercise in repetition and, via the minstrel, oppression and social injustice are translated into gags that churn out a violent, abject, fantastic blackness, over and over again.
Comment on this page

Discussion of "Conclusion, Page 286"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 9 of 19 Next page on path

Related:  Performance, Page 52Labor, Page 109Race, Page 261Space, Page 193Space, Page 194Performance, Page 60Labor, Page 128Space, Page 197Space, Page 182Conclusion, Page 304Performance, Page 70Introduction, Page 30Labor, Page 123Space, Page 189Space, Page 152Introduction, Page 14Race, Page 254Race, Page 219Introduction, Page 6Space, Page 190Introduction, Page 23Space, Page 175Space, Page 191Race, Page 213Labor, Page 122Race, Page 258Space, Page 143Race, Page 220Performance, Page 45Performance, Page 42Conclusion, Page 292Conclusion, Page 289Space, Page 171Introduction, Page 29Performance, Page 84Space, Page 138Race, Page 225Race, Page 206Conclusion, Page 302Race, Page 204Conclusion, Page 300Performance, Page 47Space, Page 177Performance, Page 72Labor, Page 110Labor, Page 133Conclusion, Page 298Race, Page 248Space, Page 170Race, Page 232Race, Page 224Performance, Page 54Race, Page 239Race, Page 251Conclusion, Page 273Race, Page 235Performance, Page 50Race, Page 221Race, Page 230Labor, Page 101Space, Page 148Labor, Page 132Space, Page 184Race, Page 252Conclusion, Page 303Labor, Page 131Race, Page 231Race, Page 247Space, Page 187Space, Page 183Performance, Page 34Conclusion, Page 275Space, Page 188Race, Page 229Introduction, Page 2Race, Page 253Space, Page 165Conclusion, Page 284Labor, Page 98Space, Page 181Conclusion, Page 291Space, Page 141Labor, Page 112Performance, Page 74Space, Page 162Space, Page 150Conclusion, Page 296Labor, Page 119Labor, Page 129Performance, Page 77Space, Page 172Space, Page 178Performance, Page 35Performance, Page 46Performance, Page 43Conclusion, Page 278Introduction, Page 1Conclusion, Page 290Labor, Page 88Space, Page 195Space, Page 155Introduction, Page 4Introduction, Page 21Labor, Page 113Performance, Page 40Space, Page 163Space, Page 137Performance, Page 41Space, Page 146Performance, Page 82