Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 34 of 36

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 195

Recycling much of the surrealist imagery from Porky in Wackyland, Tin Pan Alley Cats has a Fats Waller-esque cat playing Nagasaki (Warren/Dixon 1928) on piano, animating the bar into hysterics and propelling him out of this world and into the landscape of "darkest Africa". 

A popular "exotic" song that became a Tin Pan Alley hit, Nagasaki also appears in Clean Pastures as played in Harlem and associated with African-American jazz bars.

Through sound and visuals, the colour line regulated the spatial representation of bodies, in both the real and the two-dimensional, drawn world. 
Comment on this page
 

Discussion of "Space, Page 195"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 34 of 36 Next page on path
1940s    1930s    Sound    1920s

Related:  Race, Page 258Space, Page 169Race, Page 225Labor, Page 93Introduction, Page 21Space, Page 150Race, Page 239Space, Page 138Conclusion, Page 286Space, Page 193Space, Page 172Space, Page 162Race, Page 231Space, Page 171Space, Page 190Labor, Page 88Space, Page 187Performance, Page 34Race, Page 206Performance, Page 45Race, Page 254Introduction, Page 29Space, Page 183Space, Page 182Labor, Page 123Conclusion, Page 290Labor, Page 98Race, Page 230Conclusion, Page 289Space, Page 189Introduction, Page 30Space, Page 194Race, Page 224Introduction, Page 14Conclusion, Page 298Labor, Page 109Space, Page 175Space, Page 197Labor, Page 129Introduction, Page 1Space, Page 165Space, Page 156Performance, Page 60Space, Page 177Space, Page 166Space, Page 181Performance, Page 35Race, Page 229Introduction, Page 16Space, Page 178Introduction, Page 23Labor, Page 122Race, Page 252Labor, Page 119Space, Page 170Conclusion, Page 300Introduction, Page 2Race, Page 220Space, Page 191Space, Page 159Labor, Page 131Race, Page 221Labor, Page 128Performance, Page 84Space, Page 163Space, Page 184Labor, Page 112Space, Page 137Space, Page 152Race, Page 251Race, Page 219Space, Page 143Performance, Page 74Performance, Page 82Performance, Page 40Race, Page 232Space, Page 196Race, Page 248Race, Page 242Space, Page 188Race, Page 261Performance, Page 76Conclusion, Page 268Race, Page 253Labor, Page 102Race, Page 213