Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 17 of 21

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 128

As it industrialized, the American animation industry shifted from performing labor onscreen, to performing it as entertainment in public relations. In the 1930s and 40s, Disney extended this logic by offering back-stage studio tours which touted the wonders and magic of animation production. 

In the press, animation workers seemed to perform the joy of work without a care about the final product or about getting credit for their work—much like the seven dwarfs in Disney's "Heigh Ho" sequence from Snow White and the Seven Dwarfs (1937). 

This scene features  the dwarves digging, carting, analyzing and storing their gems, yet they do this work almost entirely for its own sake. Their song reinforces this: "we don't know what we dig 'em for." Produced in the midst of the Great Depression, this sequence suggests a call to regain joy in work without immediate material reward.
Comment on this page
 

Discussion of "Labor, Page 128"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 17 of 21 Next page on path

Related:  Conclusion, Page 275Race, Page 261Race, Page 258Conclusion, Page 303Space, Page 137Labor, Page 102Performance, Page 54Space, Page 163Space, Page 172Space, Page 178Space, Page 187Performance, Page 43Labor, Page 123Performance, Page 47Race, Page 206Race, Page 248Introduction, Page 30Introduction, Page 6Conclusion, Page 290Performance, Page 82Space, Page 191Race, Page 247Labor, Page 110Space, Page 188Race, Page 225Introduction, Page 29Performance, Page 50Race, Page 239Conclusion, Page 304Performance, Page 34Conclusion, Page 291Race, Page 230Labor, Page 113Race, Page 204Race, Page 229Space, Page 155Space, Page 138Race, Page 235Labor, Page 88Space, Page 181Conclusion, Page 300Conclusion, Page 284Space, Page 143Performance, Page 72Conclusion, Page 298Space, Page 175Space, Page 177Conclusion, Page 286Conclusion, Page 302Introduction, Page 23Space, Page 165Space, Page 146Race, Page 252Space, Page 183Introduction, Page 2Labor, Page 112Space, Page 182Race, Page 251Race, Page 253Space, Page 190Labor, Page 132Performance, Page 52Space, Page 152Race, Page 232Performance, Page 46Labor, Page 122Introduction, Page 4Conclusion, Page 296Space, Page 150Performance, Page 74Performance, Page 35Race, Page 224Labor, Page 129Space, Page 194Conclusion, Page 273Labor, Page 109Space, Page 193Space, Page 184Performance, Page 45Labor, Page 98Space, Page 170Labor, Page 119Labor, Page 133Space, Page 197Race, Page 221Race, Page 220Space, Page 162Race, Page 254Space, Page 189Introduction, Page 14Performance, Page 84Race, Page 231Space, Page 148Performance, Page 60Conclusion, Page 289Space, Page 171Performance, Page 77Space, Page 141Labor, Page 131Introduction, Page 21Race, Page 213Labor, Page 101Introduction, Page 1Conclusion, Page 292Performance, Page 70Performance, Page 41Conclusion, Page 278Performance, Page 42Race, Page 219Space, Page 195