Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 278

Meryl Streep in Sophie's Choice (1982) and Daniel Day Lewis, in There Will Be Blood (2007), are exemplars of the relationship between inner and outer life that marks Stanislavski's Method.

Unlike method actors, who channel universal truths through their bodies in dramatic roles, comic actors never fully disappear into the roles they inhabit. 

Tropic Thunder plays on this by treating the black and disabled experience as unencumbered by neurosis, hence more authentic and pure than (implicitly fully able) white experience, suggesting that what is valued in Method acting is not genuine authenticity, but a convincing performance of authenticity.
Comment on this page
 

Discussion of "Conclusion, Page 278"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 7 of 19 Next page on path

Related:  Introduction, Page 26Conclusion, Page 289Conclusion, Page 300Introduction, Page 18Space, Page 163Space, Page 177Performance, Page 43Space, Page 183Performance, Page 82Labor, Page 133Race, Page 231Performance, Page 45Performance, Page 84Performance, Page 34Performance, Page 41Performance, Page 47Race, Page 235Performance, Page 67Labor, Page 88Labor, Page 96Conclusion, Page 284Space, Page 138Race, Page 239Conclusion, Page 275Conclusion, Page 273Space, Page 172Space, Page 190Race, Page 204Performance, Page 80Performance, Page 42Space, Page 188Introduction, Page 14Conclusion, Page 303Space, Page 165Space, Page 141Conclusion, Page 290Labor, Page 113Race, Page 247Introduction, Page 23Race, Page 254Labor, Page 126Performance, Page 52Race, Page 258Performance, Page 35Space, Page 182Introduction, Page 29Introduction, Page 16Space, Page 170Space, Page 137Space, Page 197Conclusion, Page 292Space, Page 191Race, Page 232Performance, Page 77Space, Page 169Introduction, Page 4Race, Page 230Space, Page 159Race, Page 245Labor, Page 132Performance, Page 46Space, Page 181Race, Page 220Space, Page 162Performance, Page 56Race, Page 219Race, Page 224Labor, Page 112Performance, Page 78Labor, Page 122Introduction, Page 2Space, Page 148Conclusion, Page 268Race, Page 221Race, Page 206Space, Page 187Introduction, Page 1Race, Page 251Performance, Page 74Performance, Page 62Labor, Page 128Race, Page 213Space, Page 194introduction-page-22Conclusion, Page 298Race, Page 225Performance, Page 72Introduction, Page 15Space, Page 155Space, Page 156Conclusion, Page 272Introduction, Page 20Performance, Page 40Conclusion, Page 286Space, Page 146Space, Page 178Space, Page 171Space, Page 189Introduction, Page 12Labor, Page 93Introduction, Page 21Race, Page 261Labor, Page 123Race, Page 252Introduction, Page 30Performance, Page 54Introduction, Page 6Conclusion, Page 296Performance, Page 44Race, Page 257Labor, Page 102Conclusion, Page 304Labor, Page 131Conclusion, Page 274Conclusion, Page 271Introduction, Page 9Race, Page 248Space, Page 193Race, Page 253Conclusion, Page 291Labor, Page 109Labor, Page 98Space, Page 192Conclusion, Page 302Performance, Page 60Space, Page 150Space, Page 175Race, Page 229Space, Page 143Labor, Page 110Performance, Page 50