Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 7 of 19
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 278

Meryl Streep in Sophie's Choice (1982) and Daniel Day Lewis, in There Will Be Blood (2007), are exemplars of the relationship between inner and outer life that marks Stanislavski's Method.

Unlike method actors, who channel universal truths through their bodies in dramatic roles, comic actors never fully disappear into the roles they inhabit. 

Tropic Thunder plays on this by treating the black and disabled experience as unencumbered by neurosis, hence more authentic and pure than (implicitly fully able) white experience, suggesting that what is valued in Method acting is not genuine authenticity, but a convincing performance of authenticity.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Conclusion, Page 278"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 7 of 19 Next page on path
2000s    Live Cinema    Image    Moving Image

Related:  Space, Page 169,  Performance, Page 35,  Space, Page 191,  Race, Page 221,  Space, Page 170,  Race, Page 204,  Performance, Page 45,  Space, Page 194,  Space, Page 172,  Space, Page 178,  Labor, Page 112,  Space, Page 193,  Performance, Page 56,  Labor, Page 96,  Race, Page 251,  Conclusion, Page 304,  Conclusion, Page 300,  Race, Page 230,  Labor, Page 113,  Race, Page 254,  Labor, Page 88,  Conclusion, Page 303,  Conclusion, Page 271,  Race, Page 225,  Space, Page 187,  Race, Page 206,  Space, Page 163,  Conclusion, Page 291,  Space, Page 143,  Introduction, Page 29,  Introduction, Page 21,  Performance, Page 72,  Space, Page 146,  Space, Page 138,  Performance, Page 40,  Performance, Page 50,  Race, Page 253,  Introduction, Page 4,  Introduction, Page 26,  Space, Page 156,  introduction-page-22,  Introduction, Page 6,  Conclusion, Page 275,  Performance, Page 78,  Introduction, Page 1,  Performance, Page 74,  Labor, Page 109,  Performance, Page 54,  Space, Page 141,  Race, Page 224,  Space, Page 175,  Space, Page 190,  Performance, Page 82,  Space, Page 183,  Space, Page 188,  Race, Page 232,  Conclusion, Page 284,  Performance, Page 62,  Space, Page 182,  Conclusion, Page 292,  Introduction, Page 2,  Conclusion, Page 302,  Performance, Page 46,  Performance, Page 52,  Space, Page 137,  Space, Page 197,  Introduction, Page 30,  Race, Page 247,  Race, Page 213,  Performance, Page 44,  Introduction, Page 15,  Race, Page 239,  Conclusion, Page 273,  Introduction, Page 12,  Introduction, Page 16,  Labor, Page 93,  Race, Page 235,  Performance, Page 43,  Space, Page 177,  Introduction, Page 23,  Race, Page 231,  Conclusion, Page 274,  Race, Page 229,  Space, Page 159,  Conclusion, Page 272,  Conclusion, Page 268,  Conclusion, Page 290,  Labor, Page 131,  Conclusion, Page 289,  Performance, Page 77,  Race, Page 261,  Performance, Page 60,  Conclusion, Page 296,  Race, Page 220,  Introduction, Page 14,  Labor, Page 128,  Space, Page 192,  Labor, Page 98,  Space, Page 162,  Labor, Page 102,  Space, Page 155,  Conclusion, Page 286,  Race, Page 219,  Race, Page 258,  Performance, Page 34,  Labor, Page 123,  Race, Page 248,  Introduction, Page 20,  Introduction, Page 18,  Labor, Page 133,  Labor, Page 122,  Labor, Page 126,  Race, Page 252,  Performance, Page 41,  Performance, Page 80,  Space, Page 171,  Performance, Page 67,  Space, Page 165,  Space, Page 150,  Labor, Page 132,  Space, Page 148,  Performance, Page 84,  Labor, Page 110,  Space, Page 189,  Performance, Page 47,  Conclusion, Page 298,  Performance, Page 42,  Race, Page 245,  Space, Page 181,  Introduction, Page 9,  Race, Page 257