Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 9 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 155

Lavish movie palaces in the 1920s sometims mounted combination shows, a mixture of live spectacle and film. These usually incorporated cartoons such as Big Chief Ko-Ko (1925) alongside live theatrical performances, including travelogues, orchestral interludes, and musical dance numbers.

This cartoon contains a number of stereotypical depictions of "Indian" characters within the theme of the interplay between the animation/animated and reality/animator. Although the Indian Chief gives Max Fleischer the background for the cartoon—as if the Chief had a certain amount of creative control over the animation—eventually Ko-Ko and Fitz turn on the Chief, who retaliates and forces them back into the Inkwell.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 155"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 9 of 36 Next page on path
Max Fleischer    Moving Image    Sound    Black and White    Ko-Ko the Clown

Related:  Introduction, Page 21,  Performance, Page 70,  Labor, Page 88,  Introduction, Page 29,  Introduction, Page 2,  Labor, Page 133,  Conclusion, Page 292,  Introduction, Page 6,  Race, Page 229,  Labor, Page 123,  Race, Page 231,  Performance, Page 84,  Space, Page 146,  Labor, Page 122,  Space, Page 148,  Race, Page 232,  Space, Page 181,  Introduction, Page 14,  Conclusion, Page 290,  Labor, Page 98,  Space, Page 183,  Performance, Page 45,  Race, Page 252,  Race, Page 235,  Labor, Page 110,  Conclusion, Page 291,  Space, Page 141,  Space, Page 187,  Race, Page 239,  Space, Page 143,  Space, Page 162,  Performance, Page 35,  Performance, Page 47,  Labor, Page 113,  Labor, Page 112,  Conclusion, Page 289,  Race, Page 247,  Performance, Page 72,  Race, Page 206,  Performance, Page 34,  Space, Page 172,  Performance, Page 77,  Space, Page 170,  Space, Page 152,  Performance, Page 60,  Labor, Page 101,  Labor, Page 132,  Race, Page 253,  Space, Page 188,  Space, Page 175,  Labor, Page 96,  Conclusion, Page 278,  Space, Page 150,  Race, Page 230,  Conclusion, Page 296,  Space, Page 190,  Labor, Page 109,  Performance, Page 82,  Race, Page 254,  Race, Page 248,  Space, Page 191,  Performance, Page 74,  Conclusion, Page 273,  Space, Page 193,  Race, Page 204,  Performance, Page 54,  Conclusion, Page 286,  Space, Page 178,  Space, Page 194,  Race, Page 213,  Performance, Page 52,  Performance, Page 44,  Race, Page 220,  Conclusion, Page 300,  Performance, Page 42,  Race, Page 225,  Race, Page 251,  Space, Page 189,  Race, Page 224,  Labor, Page 119,  Race, Page 221,  Race, Page 261,  Performance, Page 46,  Conclusion, Page 275,  Labor, Page 128,  Introduction, Page 23,  Space, Page 138,  Performance, Page 50,  Space, Page 163,  Conclusion, Page 298,  Space, Page 156,  Race, Page 258,  Space, Page 184,  Labor, Page 129,  Performance, Page 43,  Introduction, Page 30,  Space, Page 182,  Space, Page 197,  Space, Page 177,  Introduction, Page 1,  Space, Page 165,  Introduction, Page 4,  Conclusion, Page 302,  Conclusion, Page 304,  Conclusion, Page 284,  Labor, Page 97,  Performance, Page 41,  Conclusion, Page 303