Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 9 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 155

Lavish movie palaces in the 1920s sometims mounted combination shows, a mixture of live spectacle and film. These usually incorporated cartoons such as Big Chief Ko-Ko (1925) alongside live theatrical performances, including travelogues, orchestral interludes, and musical dance numbers.

This cartoon contains a number of stereotypical depictions of "Indian" characters within the theme of the interplay between the animation/animated and reality/animator. Although the Indian Chief gives Max Fleischer the background for the cartoon—as if the Chief had a certain amount of creative control over the animation—eventually Ko-Ko and Fitz turn on the Chief, who retaliates and forces them back into the Inkwell.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 155"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 9 of 36 Next page on path
Max Fleischer    Black and White    Ko-Ko the Clown    Moving Image    Sound

Related:  Performance, Page 84,  Labor, Page 109,  Labor, Page 88,  Conclusion, Page 296,  Introduction, Page 6,  Race, Page 232,  Space, Page 187,  Race, Page 239,  Conclusion, Page 289,  Race, Page 206,  Race, Page 220,  Performance, Page 82,  Race, Page 230,  Performance, Page 72,  Conclusion, Page 291,  Space, Page 184,  Space, Page 194,  Race, Page 204,  Labor, Page 128,  Labor, Page 133,  Performance, Page 47,  Race, Page 254,  Performance, Page 43,  Space, Page 197,  Performance, Page 42,  Conclusion, Page 292,  Race, Page 261,  Labor, Page 119,  Race, Page 231,  Labor, Page 97,  Introduction, Page 23,  Space, Page 181,  Conclusion, Page 286,  Introduction, Page 1,  Space, Page 143,  Conclusion, Page 273,  Conclusion, Page 304,  Labor, Page 110,  Race, Page 252,  Space, Page 193,  Space, Page 189,  Labor, Page 123,  Labor, Page 112,  Race, Page 247,  Space, Page 152,  Space, Page 190,  Introduction, Page 2,  Race, Page 225,  Performance, Page 52,  Labor, Page 113,  Introduction, Page 30,  Space, Page 178,  Conclusion, Page 275,  Space, Page 183,  Space, Page 177,  Performance, Page 34,  Space, Page 162,  Labor, Page 122,  Space, Page 188,  Space, Page 182,  Race, Page 258,  Performance, Page 50,  Space, Page 148,  Performance, Page 74,  Conclusion, Page 302,  Performance, Page 54,  Performance, Page 35,  Space, Page 175,  Performance, Page 44,  Race, Page 235,  Race, Page 251,  Space, Page 146,  Race, Page 248,  Space, Page 156,  Race, Page 229,  Labor, Page 98,  Performance, Page 77,  Conclusion, Page 300,  Introduction, Page 29,  Space, Page 172,  Labor, Page 96,  Performance, Page 41,  Space, Page 163,  Performance, Page 45,  Labor, Page 132,  Race, Page 253,  Labor, Page 101,  Space, Page 150,  Race, Page 221,  Introduction, Page 14,  Performance, Page 60,  Conclusion, Page 303,  Conclusion, Page 284,  Race, Page 224,  Space, Page 170,  Conclusion, Page 298,  Space, Page 138,  Conclusion, Page 278,  Introduction, Page 21,  Conclusion, Page 290,  Space, Page 141,  Space, Page 191,  Performance, Page 46,  Space, Page 165,  Introduction, Page 4,  Race, Page 213,  Performance, Page 70,  Labor, Page 129