Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 6 of 21
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 101

Created by the Fleischer brothers, the role of an "in-betweener" was to fill in the intermediate action between two drawings created by a lead animator. This job required that the artist be able to reproduce the lead animator's style (often the house style). The commercial animation industry required that different artists be able to draw in a consistent, coherent style. This fundamental convention became so established that it was later mocked in cartoons such as Duck Amuck (1953), which disrupts the enclosure of the animated world by self-reflexively breaking the fourth wall, having Daffy entreat the audience to save him from a sadistic animator, who turns out to be fellow character Bugs Bunny.


Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Labor, Page 101"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 6 of 21 Next page on path
Warner Bros    Bugs Bunny    Daffy Duck    1950s    Cartoons    Sound

Related:  Conclusion, Page 292,  Labor, Page 88,  Space, Page 189,  Space, Page 190,  Labor, Page 110,  Labor, Page 109,  Space, Page 175,  Labor, Page 112,  Race, Page 230,  Race, Page 221,  Performance, Page 72,  Labor, Page 98,  Space, Page 150,  Introduction, Page 2,  Conclusion, Page 291,  Conclusion, Page 296,  Labor, Page 122,  Race, Page 224,  Performance, Page 84,  Race, Page 232,  Conclusion, Page 304,  Space, Page 148,  Race, Page 252,  Race, Page 258,  Conclusion, Page 290,  Race, Page 261,  Space, Page 194,  Performance, Page 70,  Race, Page 239,  Space, Page 193,  Race, Page 204,  Introduction, Page 29,  Conclusion, Page 302,  Race, Page 251,  Space, Page 143,  Race, Page 220,  Race, Page 248,  Race, Page 254,  Introduction, Page 14,  Conclusion, Page 286,  Race, Page 229,  Space, Page 172,  Race, Page 235,  Space, Page 181,  Performance, Page 82,  Conclusion, Page 289,  Conclusion, Page 300,  Race, Page 231,  Space, Page 187,  Labor, Page 128,  Performance, Page 47,  Performance, Page 54,  Space, Page 152,  Space, Page 188,  Space, Page 182,  Space, Page 165,  Race, Page 206,  Race, Page 253,  Space, Page 184,  Space, Page 197,  Space, Page 178,  Space, Page 141,  Labor, Page 123,  Introduction, Page 6,  Performance, Page 46,  Space, Page 162,  Performance, Page 50,  Introduction, Page 21,  Labor, Page 119,  Space, Page 177,  Conclusion, Page 298,  Labor, Page 129,  Labor, Page 113,  Space, Page 146,  Race, Page 247,  Labor, Page 133,  Race, Page 225,  Space, Page 155,  Labor, Page 132,  Space, Page 138