Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 2 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 138

In the finale of what is often considered the first "talkie", The Jazz Singer (1927), Al Jolson performs the song "Mammy" in blackface. His mother sits in the audience as he sings about his devotion to her, his "Mammy." His performance attempts to reconcile his desire to be a famous singer, his devotion to his family, and his Jewish faith.

Jolson uses blackface and the sentimental caricature of the black Mammy who contentedly accepted slavery and happily nurtured the white family, thus conflating his love for his own mother with that of a Mammy. Jolson's signature blackface performance points out the essential place of sentimentality and nostalgia in racial formations of the 1930s. 




Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 138"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 2 of 36 Next page on path
Sound    1920s    Live Cinema    Moving Image

Related:  Labor, Page 98,  Space, Page 165,  Race, Page 220,  Race, Page 231,  Conclusion, Page 268,  Race, Page 235,  Performance, Page 84,  Conclusion, Page 291,  Conclusion, Page 275,  Space, Page 143,  Space, Page 141,  Conclusion, Page 303,  Space, Page 187,  Conclusion, Page 289,  Space, Page 197,  Race, Page 248,  Race, Page 251,  Performance, Page 41,  Space, Page 172,  Race, Page 258,  Race, Page 232,  Introduction, Page 1,  Space, Page 190,  Race, Page 261,  Space, Page 163,  Conclusion, Page 273,  Space, Page 152,  Space, Page 150,  Space, Page 182,  Conclusion, Page 284,  Introduction, Page 21,  Space, Page 194,  Labor, Page 109,  Race, Page 221,  Race, Page 204,  Space, Page 148,  Labor, Page 112,  Performance, Page 47,  Space, Page 181,  Race, Page 224,  Performance, Page 42,  Space, Page 156,  Labor, Page 122,  Space, Page 188,  Introduction, Page 14,  Space, Page 183,  Space, Page 175,  Race, Page 229,  Race, Page 225,  Space, Page 177,  Space, Page 169,  Labor, Page 102,  Conclusion, Page 296,  Introduction, Page 23,  Race, Page 252,  Conclusion, Page 300,  Conclusion, Page 302,  Conclusion, Page 290,  Space, Page 162,  Performance, Page 46,  Introduction, Page 29,  Performance, Page 35,  Race, Page 247,  Performance, Page 45,  Space, Page 155,  Labor, Page 119,  Introduction, Page 2,  Space, Page 189,  Labor, Page 123,  Introduction, Page 6,  Conclusion, Page 298,  Space, Page 191,  Race, Page 206,  Race, Page 230,  Space, Page 184,  Conclusion, Page 278,  Performance, Page 74,  Performance, Page 43,  Space, Page 178,  Labor, Page 88,  Labor, Page 129,  Introduction, Page 30,  Labor, Page 110,  Conclusion, Page 304,  Performance, Page 50,  Labor, Page 132,  Space, Page 193,  Performance, Page 60,  Race, Page 213,  Labor, Page 113,  Labor, Page 128,  Labor, Page 133,  Performance, Page 54,  Conclusion, Page 292,  Performance, Page 82,  Space, Page 166,  Space, Page 170,  Space, Page 159,  Race, Page 242,  Space, Page 146,  Performance, Page 77,  Race, Page 239,  Race, Page 253,  Performance, Page 72,  Performance, Page 76,  Labor, Page 101,  Performance, Page 34,  Introduction, Page 16,  Race, Page 254,  Space, Page 195,  Performance, Page 44,  Introduction, Page 4,  Conclusion, Page 286,  Performance, Page 52,  Labor, Page 93,  Introduction, Page 15