Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 25 of 25
Previous page on path       Path end, continue

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 261

In Lucky Ducky (1948) an exploding shotgun shell transforms two witless hunters into "pickaninnies." This 1948 MGM short features a repeating trope in Golden Age animation: the ostensibly white character is blown into abject blackness by an explosion. Instead of being killed or maimed, the character is blown into a racist blackface caricature, expressing blackness as humiliation. 

Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Race, Page 261"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 25 of 25 Path end, continue
1940s    MGM    Cartoons    Moving Image    Sound    Color

Related:  Labor, Page 122,  Performance, Page 40,  Race, Page 252,  Space, Page 197,  Space, Page 183,  Conclusion, Page 302,  Performance, Page 72,  Labor, Page 112,  Space, Page 138,  Labor, Page 128,  Conclusion, Page 296,  Space, Page 194,  Space, Page 165,  Labor, Page 88,  Performance, Page 35,  Conclusion, Page 286,  Race, Page 230,  Race, Page 258,  Labor, Page 119,  Race, Page 235,  Race, Page 229,  Labor, Page 101,  Space, Page 193,  Race, Page 251,  Introduction, Page 29,  Space, Page 190,  Conclusion, Page 304,  Labor, Page 98,  Space, Page 146,  Race, Page 253,  Performance, Page 84,  Race, Page 231,  Race, Page 224,  Labor, Page 133,  Race, Page 254,  Introduction, Page 30,  Race, Page 220,  Race, Page 232,  Race, Page 247,  Labor, Page 129,  Space, Page 141,  Introduction, Page 21,  Performance, Page 34,  Performance, Page 47,  Space, Page 189,  Conclusion, Page 298,  Space, Page 182,  Labor, Page 132,  Space, Page 155,  Space, Page 175,  Introduction, Page 14,  Introduction, Page 4,  Space, Page 188,  Space, Page 184,  Race, Page 239,  Space, Page 148,  Performance, Page 45,  Conclusion, Page 284,  Space, Page 177,  Space, Page 163,  Conclusion, Page 292,  Introduction, Page 2,  Race, Page 204,  Labor, Page 113,  Performance, Page 43,  Labor, Page 123,  Performance, Page 52,  Space, Page 143,  Conclusion, Page 300,  Space, Page 172,  Introduction, Page 6,  Race, Page 206,  Space, Page 178,  Space, Page 150,  Race, Page 248,  Performance, Page 82,  Space, Page 195,  Space, Page 191,  Space, Page 152,  Race, Page 225,  Labor, Page 109,  Conclusion, Page 303,  Performance, Page 50,  Conclusion, Page 290,  Space, Page 187,  Space, Page 162,  Performance, Page 70,  Performance, Page 42,  Conclusion, Page 289,  Producers,  Performance, Page 74,  Labor, Page 110,  Space, Page 181,  Introduction, Page 23,  Conclusion, Page 275,  Conclusion, Page 278,  Race, Page 221,  Space, Page 170,  Conclusion, Page 273,  Introduction, Page 1,  Performance, Page 41,  Performance, Page 60,  Performance, Page 46,  Race, Page 213,  Conclusion, Page 291,  Performance, Page 77,  Performance, Page 54