Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 20 of 25

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 252

In Swing Wedding (1937), jazz musicians are depicted as frogs whose performance whips them into such a frenzy that they destroy their instruments; one injects himself using a trumpet valve.

These virulently racist depictions of African-Americans became far more common in the jazz era, expressed in shorts such as Scrub Me Mama With a Boogie Beat (1937) and Tin Pan Alley Cats (1943).
Comment on this page
 

Discussion of "Race, Page 252"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 20 of 25 Next page on path

Related:  Conclusion, Page 300Space, Page 187Space, Page 188Space, Page 175Race, Page 229Space, Page 189Performance, Page 72Race, Page 235Race, Page 213Space, Page 181Race, Page 221Conclusion, Page 292Labor, Page 88Space, Page 141Space, Page 193Space, Page 137Labor, Page 119Labor, Page 109Labor, Page 98Race, Page 239Race, Page 220Space, Page 146Space, Page 150Labor, Page 132Labor, Page 123Conclusion, Page 289Race, Page 232Performance, Page 54Space, Page 194Performance, Page 74Space, Page 190Conclusion, Page 296Conclusion, Page 302Space, Page 182Labor, Page 129Labor, Page 128Race, Page 224Race, Page 225Space, Page 162Introduction, Page 30Space, Page 184Space, Page 143Labor, Page 101Labor, Page 112Introduction, Page 14Space, Page 172Space, Page 183Space, Page 178Performance, Page 42Performance, Page 60Race, Page 254Race, Page 231Introduction, Page 21Introduction, Page 6Introduction, Page 29Labor, Page 122Race, Page 258Race, Page 251Performance, Page 47Conclusion, Page 303Introduction, Page 2Conclusion, Page 291Performance, Page 46Conclusion, Page 304Conclusion, Page 298Space, Page 148Performance, Page 50Labor, Page 133Labor, Page 110Race, Page 230Race, Page 248Space, Page 170Space, Page 171Race, Page 204Race, Page 261Space, Page 155ProducersPerformance, Page 70Space, Page 165Race, Page 247Performance, Page 52Space, Page 197Performance, Page 40Introduction, Page 4Race, Page 206Space, Page 138Performance, Page 84Conclusion, Page 275Space, Page 191Space, Page 152Performance, Page 43Race, Page 253Conclusion, Page 286Space, Page 177Performance, Page 45Performance, Page 34Introduction, Page 23Introduction, Page 1Conclusion, Page 290Space, Page 195Performance, Page 41Labor, Page 131Performance, Page 35Space, Page 163Labor, Page 113Performance, Page 77Conclusion, Page 284Conclusion, Page 278Race, Page 219Performance, Page 82Conclusion, Page 273