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Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 10 of 19
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Conclusion, Page 289

As in Emile Cohl's violent transfigurations of Pierrot in Fantasmagorie (1908), the malleability and
transformative power of animation have been a convention since the beginnings of the form.

Similarly, Max Fleischer eletrocuted Ko-Ko in hopes of getting him to obey in The Cartoon Factory (1924), Rudy Ising put Bosko back into the inkwell in Bosko the Talk-Ink Kid (1929), and Winsor McCay's first screen performance famously contorting and stretching Flip and Impy in Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics (1911).
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Previous page on path Conclusion, page 10 of 19 Next page on path
Winsor McCay    Max Fleischer    Dave Fleischer    Little Nemo    Cartoons    Ko-Ko the Clown    Moving Image    1920s    Silent    Sound    With Live Characters (Animators)    1900s    1910s    Out of the Inkwell    1930s

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