Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 7 of 25

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 224

As Mickey Mouse heads upriver in Trader Mickey (1932), he strums the classic minstrel tune "Old Zip Coon" on his banjo, reprising his first sync-sound performance in Steamboat Willie (1928).  

In these instances, Mickey as minstrel evokes the Old South, the plantation, and slavery. The minstrel was based upon the fantasy of a black body in willful disobedience: lazy, cunning, resistant to pain, and able to navigate the brutal regime of chattel slavery through that cunning. Like many animated continuing characters in early American animation, Mickey performed just that sort of resistance.

 
Comment on this page
 

Discussion of "Race, Page 224"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 7 of 25 Next page on path

Related:  Space, Page 181Space, Page 175Space, Page 177Race, Page 239Conclusion, Page 292Race, Page 252Labor, Page 129Space, Page 162Race, Page 230Performance, Page 34Race, Page 225Race, Page 229Race, Page 221Conclusion, Page 289Space, Page 141Space, Page 183Conclusion, Page 286Space, Page 188Performance, Page 52Space, Page 190Labor, Page 119Conclusion, Page 304Space, Page 191Space, Page 150Labor, Page 128Introduction, Page 14Space, Page 197Performance, Page 82Space, Page 182Performance, Page 46Race, Page 220Space, Page 194Introduction, Page 23Introduction, Page 16Labor, Page 98Labor, Page 133Space, Page 165Introduction, Page 6Labor, Page 88Conclusion, Page 296Race, Page 204Labor, Page 112Labor, Page 122Space, Page 148Space, Page 156Race, Page 253Space, Page 189Labor, Page 123Conclusion, Page 302Introduction, Page 29Labor, Page 132Conclusion, Page 268Introduction, Page 2Space, Page 152Performance, Page 50Race, Page 258Race, Page 213Introduction, Page 1Race, Page 235Performance, Page 72Performance, Page 47Conclusion, Page 303Space, Page 187Performance, Page 84Space, Page 184Space, Page 146Space, Page 178Race, Page 254Performance, Page 43Race, Page 251Conclusion, Page 273Labor, Page 109Race, Page 231Race, Page 247Conclusion, Page 291Labor, Page 101Labor, Page 110Performance, Page 76Space, Page 172Performance, Page 54Space, Page 137Labor, Page 113Conclusion, Page 298Space, Page 155Labor, Page 131Introduction, Page 21Performance, Page 60Conclusion, Page 290Performance, Page 74Performance, Page 35Performance, Page 42Introduction, Page 30Space, Page 159Race, Page 232Conclusion, Page 275Race, Page 206Space, Page 196Space, Page 193Introduction, Page 4Race, Page 219Performance, Page 70Space, Page 170Conclusion, Page 300Space, Page 195Space, Page 163Labor, Page 102Race, Page 261Space, Page 143Labor, Page 93Performance, Page 77Conclusion, Page 278Space, Page 169Performance, Page 45Space, Page 138Space, Page 166Conclusion, Page 284Race, Page 242Performance, Page 44Race, Page 248Performance, Page 41Space, Page 171