Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 7 of 25

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 224

As Mickey Mouse heads upriver in Trader Mickey (1932), he strums the classic minstrel tune "Old Zip Coon" on his banjo, reprising his first sync-sound performance in Steamboat Willie (1928).  

In these instances, Mickey as minstrel evokes the Old South, the plantation, and slavery. The minstrel was based upon the fantasy of a black body in willful disobedience: lazy, cunning, resistant to pain, and able to navigate the brutal regime of chattel slavery through that cunning. Like many animated continuing characters in early American animation, Mickey performed just that sort of resistance.

 
Comment on this page
 

Discussion of "Race, Page 224"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 7 of 25 Next page on path

Related:  Space, Page 191Race, Page 232Space, Page 146Conclusion, Page 298Labor, Page 133Introduction, Page 2Performance, Page 41Race, Page 251Race, Page 253Labor, Page 88Introduction, Page 29Race, Page 252Space, Page 187Space, Page 188Space, Page 181Race, Page 230Labor, Page 109Race, Page 254Performance, Page 52Performance, Page 42Performance, Page 60Space, Page 175Conclusion, Page 289Performance, Page 45Performance, Page 72Race, Page 239Performance, Page 70Space, Page 156Labor, Page 122Race, Page 225Space, Page 138Performance, Page 47Performance, Page 84Performance, Page 77Performance, Page 43Labor, Page 113Race, Page 242Race, Page 206Conclusion, Page 284Introduction, Page 14Space, Page 166Race, Page 220Performance, Page 50Labor, Page 132Introduction, Page 16Conclusion, Page 304Conclusion, Page 286Performance, Page 82Introduction, Page 6Introduction, Page 30Performance, Page 76Space, Page 152Space, Page 172Labor, Page 119Introduction, Page 21Introduction, Page 4Conclusion, Page 273Space, Page 143Conclusion, Page 300Space, Page 155Race, Page 219Race, Page 248Race, Page 261Race, Page 229Labor, Page 131Race, Page 247Race, Page 221Conclusion, Page 291Conclusion, Page 302Space, Page 197Labor, Page 110Space, Page 178Labor, Page 123Performance, Page 35Labor, Page 128Space, Page 163Race, Page 213Conclusion, Page 290Introduction, Page 23Space, Page 177Performance, Page 46Conclusion, Page 303Performance, Page 54Performance, Page 34Race, Page 231Labor, Page 93Performance, Page 44Introduction, Page 1Space, Page 141Space, Page 162Labor, Page 101Space, Page 195Race, Page 235Space, Page 193Labor, Page 112Space, Page 165Space, Page 194Performance, Page 74Labor, Page 98Race, Page 204Space, Page 169Space, Page 189Conclusion, Page 292Space, Page 182Space, Page 150Space, Page 184Race, Page 258Space, Page 170Conclusion, Page 275Labor, Page 102Labor, Page 129Space, Page 190Space, Page 148Conclusion, Page 296Space, Page 183Space, Page 159Conclusion, Page 268Space, Page 137Conclusion, Page 278Space, Page 196Space, Page 171