Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Performance, Page 72

The term "pickaninny" is a derogatory term for poor African American children, who were (and are) often stereotyped as immature, rebellious, and immune to pain. According to Felix the Cat creator Otto Messmer, Pat Sullivan, the producer of Felix, had first created a character, Sammy Jonsin, who was based on the stereotype of the pickaninny. That character eventually became Felix.

The pickanniny was a common figure in popular culture during the early twentieth century. A Blatz gum ad from a 1928 issue of the movie fan magazine Photoplay blithely asks why a pickaninny loves watermelon, implying that his uncontrollable appetites will lead him to steal that same fruit.

That voraciousness is on display when Felix dreams of an ideal future in which he can eat endlessly in Futuritzy (1928), simultaneously demonstrating the economy of line and of stereotype through which Sullivan Studios created its animated worlds.

Comment on this page
 

Discussion of "Performance, Page 72"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Performance, page 18 of 25 Next page on path

Related:  Labor, Page 88Conclusion, Page 296Labor, Page 131Labor, Page 129Space, Page 165Labor, Page 109Race, Page 258Conclusion, Page 278Space, Page 187Performance, Page 50Race, Page 224Introduction, Page 9Race, Page 253Introduction, Page 12Space, Page 150Space, Page 175Introduction, Page 23Conclusion, Page 292Performance, Page 70Conclusion, Page 284Introduction, Page 2Labor, Page 112Space, Page 162Labor, Page 122Space, Page 143Race, Page 229Introduction, Page 14Conclusion, Page 291Conclusion, Page 300Space, Page 183Race, Page 221Race, Page 231Performance, Page 77Labor, Page 98Conclusion, Page 303Race, Page 239Race, Page 232Performance, Page 34Labor, Page 113Space, Page 138Space, Page 188Performance, Page 56Labor, Page 133Space, Page 177Introduction, Page 21Conclusion, Page 289Labor, Page 128Conclusion, Page 268Space, Page 191Race, Page 252Performance, Page 54Space, Page 148Space, Page 192Space, Page 190Labor, Page 126Introduction, Page 6Performance, Page 42Race, Page 247Race, Page 206Space, Page 194Conclusion, Page 274Space, Page 171Conclusion, Page 272Performance, Page 84Space, Page 170Race, Page 220Performance, Page 45Labor, Page 102Labor, Page 101Space, Page 182Space, Page 163Performance, Page 82Performance, Page 44Race, Page 235Introduction, Page 29Labor, Page 119Race, Page 225Introduction, Page 4Conclusion, Page 298Labor, Page 132Performance, Page 47Space, Page 137Performance, Page 43Conclusion, Page 286Space, Page 141Race, Page 248Space, Page 172Space, Page 152Race, Page 230Race, Page 254Labor, Page 123Space, Page 193Performance, Page 78Performance, Page 74Race, Page 204Space, Page 155Space, Page 178Race, Page 219Performance, Page 46Introduction, Page 26Space, Page 156Introduction, Page 20Performance, Page 62Introduction, Page 18Introduction, Page 1Space, Page 181Conclusion, Page 304Conclusion, Page 290Race, Page 261Conclusion, Page 302Performance, Page 35Race, Page 251Conclusion, Page 273Labor, Page 96Space, Page 159Space, Page 184Labor, Page 110Space, Page 197Labor, Page 93Space, Page 146Performance, Page 52Race, Page 245Performance, Page 80Race, Page 257Performance, Page 40introduction-page-22Performance, Page 60Performance, Page 41Performance, Page 67Race, Page 213Space, Page 189Space, Page 169Conclusion, Page 275Introduction, Page 30