Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Performance, Page 72

The term "pickaninny" is a derogatory term for poor African American children, who were (and are) often stereotyped as immature, rebellious, and immune to pain. According to Felix the Cat creator Otto Messmer, Pat Sullivan, the producer of Felix, had first created a character, Sammy Jonsin, who was based on the stereotype of the pickaninny. That character eventually became Felix.

The pickanniny was a common figure in popular culture during the early twentieth century. A Blatz gum ad from a 1928 issue of the movie fan magazine Photoplay blithely asks why a pickaninny loves watermelon, implying that his uncontrollable appetites will lead him to steal that same fruit.

That voraciousness is on display when Felix dreams of an ideal future in which he can eat endlessly in Futuritzy (1928), simultaneously demonstrating the economy of line and of stereotype through which Sullivan Studios created its animated worlds.

Comment on this page
 

Discussion of "Performance, Page 72"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Performance, page 18 of 25 Next page on path

Related:  Labor, Page 88Space, Page 177Labor, Page 122Conclusion, Page 298Space, Page 175Race, Page 224Performance, Page 77Space, Page 193Labor, Page 98Introduction, Page 14Race, Page 225Introduction, Page 2Performance, Page 41Introduction, Page 6introduction-page-22Performance, Page 70Performance, Page 45Race, Page 257Labor, Page 133Space, Page 150Conclusion, Page 292Labor, Page 109Space, Page 187Performance, Page 46Space, Page 155Race, Page 252Race, Page 213Introduction, Page 26Conclusion, Page 296Race, Page 247Labor, Page 123Race, Page 220Space, Page 183Performance, Page 84Space, Page 197Race, Page 248Race, Page 221Performance, Page 82Labor, Page 128Space, Page 192Space, Page 163Race, Page 230Labor, Page 112Labor, Page 110Performance, Page 35Race, Page 231Conclusion, Page 272Labor, Page 102Space, Page 182Space, Page 172Race, Page 206Conclusion, Page 273Space, Page 152Space, Page 188Space, Page 162Performance, Page 47Space, Page 178Race, Page 258Race, Page 253Race, Page 232Race, Page 204Space, Page 181Performance, Page 54Introduction, Page 18Introduction, Page 9Conclusion, Page 289Performance, Page 52Space, Page 184Performance, Page 50Space, Page 146Space, Page 191Space, Page 143Labor, Page 101Space, Page 190Space, Page 165Performance, Page 34Performance, Page 42Conclusion, Page 278Labor, Page 131Race, Page 239Conclusion, Page 300Conclusion, Page 291Introduction, Page 30Conclusion, Page 274Labor, Page 119Space, Page 170Introduction, Page 21Race, Page 254Space, Page 194Labor, Page 113Conclusion, Page 284Conclusion, Page 303Race, Page 251Space, Page 148Space, Page 138Introduction, Page 23Introduction, Page 29Space, Page 141Introduction, Page 20Space, Page 169Performance, Page 74Conclusion, Page 302Conclusion, Page 286Performance, Page 62Space, Page 189Space, Page 137Race, Page 245Introduction, Page 12Race, Page 229Space, Page 159Labor, Page 129Race, Page 235Conclusion, Page 268Labor, Page 132Performance, Page 56Performance, Page 44Conclusion, Page 304Introduction, Page 4Race, Page 261Performance, Page 43Performance, Page 78Space, Page 156Introduction, Page 1Performance, Page 80Performance, Page 60Labor, Page 93Race, Page 219Performance, Page 67Labor, Page 96Space, Page 171Conclusion, Page 290Conclusion, Page 275Labor, Page 126Performance, Page 40