Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Performance, Page 72

The term "pickaninny" is a derogatory term for poor African American children, who were (and are) often stereotyped as immature, rebellious, and immune to pain. According to Felix the Cat creator Otto Messmer, Pat Sullivan, the producer of Felix, had first created a character, Sammy Jonsin, who was based on the stereotype of the pickaninny. That character eventually became Felix.

The pickanniny was a common figure in popular culture during the early twentieth century. A Blatz gum ad from a 1928 issue of the movie fan magazine Photoplay blithely asks why a pickaninny loves watermelon, implying that his uncontrollable appetites will lead him to steal that same fruit.

That voraciousness is on display when Felix dreams of an ideal future in which he can eat endlessly in Futuritzy (1928), simultaneously demonstrating the economy of line and of stereotype through which Sullivan Studios created its animated worlds.

Comment on this page
 

Discussion of "Performance, Page 72"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Performance, page 18 of 25 Next page on path

Related:  Introduction, Page 6Labor, Page 123Labor, Page 96Race, Page 235Space, Page 150Race, Page 206Space, Page 194Performance, Page 80Space, Page 148Performance, Page 47Conclusion, Page 286Space, Page 187Space, Page 138Performance, Page 52Conclusion, Page 289introduction-page-22Race, Page 231Space, Page 137Performance, Page 67Race, Page 230Space, Page 197Introduction, Page 29Race, Page 220Conclusion, Page 300Labor, Page 102Race, Page 257Performance, Page 84Labor, Page 112Introduction, Page 18Introduction, Page 2Space, Page 146Conclusion, Page 303Performance, Page 44Labor, Page 133Conclusion, Page 304Performance, Page 82Space, Page 193Race, Page 232Space, Page 178Space, Page 175Space, Page 172Conclusion, Page 298Race, Page 221Labor, Page 88Space, Page 182Conclusion, Page 292Race, Page 225Race, Page 247Conclusion, Page 275Space, Page 181Performance, Page 54Labor, Page 109Race, Page 224Labor, Page 122Space, Page 152Race, Page 258Conclusion, Page 274Performance, Page 42Performance, Page 43Labor, Page 93Performance, Page 34Conclusion, Page 290Race, Page 251Performance, Page 35Race, Page 253Introduction, Page 14Performance, Page 74Space, Page 141Performance, Page 78Space, Page 189Labor, Page 110Labor, Page 101Labor, Page 131Performance, Page 60Race, Page 254Space, Page 165Conclusion, Page 278Space, Page 177Labor, Page 98Performance, Page 45Conclusion, Page 302Race, Page 239Space, Page 162Space, Page 171Conclusion, Page 291Race, Page 261Performance, Page 46Space, Page 143Race, Page 248Space, Page 191Space, Page 155Space, Page 190Introduction, Page 26Labor, Page 129Space, Page 159Introduction, Page 12Conclusion, Page 296Conclusion, Page 268Introduction, Page 21Space, Page 156Conclusion, Page 272Conclusion, Page 284Race, Page 229Space, Page 184Space, Page 188Labor, Page 128Conclusion, Page 273Space, Page 183Race, Page 204Space, Page 192Introduction, Page 20Space, Page 170Introduction, Page 1Labor, Page 119Race, Page 252Performance, Page 70Performance, Page 77Space, Page 163Performance, Page 50Labor, Page 132Performance, Page 56Introduction, Page 9Performance, Page 41Performance, Page 62Introduction, Page 23Labor, Page 126Introduction, Page 30Race, Page 213Introduction, Page 4Labor, Page 113Space, Page 169Race, Page 219Performance, Page 40Race, Page 245