Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 33 of 36

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 194

In Tin Pan Alley Cats (1943), Warner Bros repurposed material from Porky in Wackyland (1939), replacing Porky with a racist caricature of Fats Waller, and transposing the landscape of "Africa" into a waterfront ghetto. 

Fats Waller, a wayward alley cat, passes a mission band in favor of the raptures of a jazz club, in which he is transported to a surreal realm populated by strange creatures (including a rubbery Hitler, Hirohito, and Stalin) who frighten him with their excessive joy. This segment is repurposed from the 1939 short Porky in Wackyland, in which Porky Pig travels to "darkest Africa" in search of the Dodo bird. Both shorts imagine a fantastic geography in which the ghetto and Africa are linked through jazz.
Comment on this page
 

Discussion of "Space, Page 194"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 33 of 36 Next page on path

Related:  Race, Page 247Conclusion, Page 292Space, Page 143Space, Page 155Space, Page 182Introduction, Page 4Space, Page 177Conclusion, Page 300Space, Page 175Race, Page 248Space, Page 172Space, Page 170Space, Page 187Space, Page 150Conclusion, Page 289Space, Page 178Race, Page 235Performance, Page 34Race, Page 253Performance, Page 72Space, Page 193Race, Page 254Race, Page 204Performance, Page 46Race, Page 232Race, Page 213Race, Page 229Space, Page 152Labor, Page 112Space, Page 163Space, Page 183Introduction, Page 29Space, Page 195Space, Page 189Introduction, Page 6Labor, Page 129Performance, Page 41Labor, Page 131Space, Page 141Labor, Page 123Race, Page 231Race, Page 220Labor, Page 128Performance, Page 84Conclusion, Page 304Race, Page 230Labor, Page 109Space, Page 146Performance, Page 42Space, Page 197Introduction, Page 14Race, Page 258Introduction, Page 2Labor, Page 113Race, Page 252Performance, Page 60Space, Page 162Labor, Page 110Conclusion, Page 290Race, Page 206Introduction, Page 23Labor, Page 101Introduction, Page 30Race, Page 239Performance, Page 50Conclusion, Page 302Labor, Page 88Race, Page 224Race, Page 225Labor, Page 132Race, Page 221Labor, Page 98Space, Page 190Labor, Page 122Conclusion, Page 298Conclusion, Page 303Labor, Page 133Race, Page 261Space, Page 148Labor, Page 119Space, Page 165Performance, Page 54Space, Page 181Conclusion, Page 286Space, Page 138Conclusion, Page 291Performance, Page 44Introduction, Page 1Race, Page 219Race, Page 251Performance, Page 70Performance, Page 47Introduction, Page 21Performance, Page 35Space, Page 184Space, Page 188Performance, Page 45Performance, Page 74Space, Page 191Space, Page 137Performance, Page 82Conclusion, Page 284Performance, Page 77Performance, Page 43Conclusion, Page 296Performance, Page 40Performance, Page 52Conclusion, Page 273Conclusion, Page 278Conclusion, Page 275Space, Page 171