Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 34 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 195

Recycling much of the surrealist imagery from Porky in Wackyland, Tin Pan Alley Cats has a Fats Waller-esque cat playing Nagasaki (Warren/Dixon 1928) on piano, animating the bar into hysterics and propelling him out of this world and into the landscape of "darkest Africa". 

A popular "exotic" song that became a Tin Pan Alley hit, Nagasaki also appears in Clean Pastures as played in Harlem and associated with African-American jazz bars.

Through sound and visuals, the colour line regulated the spatial representation of bodies, in both the real and the two-dimensional, drawn world. 
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 195"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 34 of 36 Next page on path
1940s    Sound    1920s    1930s

Related:  Labor, Page 119,  Performance, Page 40,  Introduction, Page 23,  Introduction, Page 30,  Space, Page 183,  Race, Page 254,  Conclusion, Page 300,  Introduction, Page 21,  Labor, Page 93,  Space, Page 166,  Race, Page 239,  Space, Page 190,  Race, Page 206,  Space, Page 177,  Space, Page 197,  Space, Page 152,  Space, Page 194,  Space, Page 165,  Conclusion, Page 286,  Conclusion, Page 289,  Conclusion, Page 268,  Performance, Page 45,  Race, Page 219,  Labor, Page 122,  Labor, Page 112,  Labor, Page 123,  Space, Page 150,  Space, Page 171,  Labor, Page 128,  Introduction, Page 1,  Introduction, Page 29,  Labor, Page 109,  Space, Page 181,  Introduction, Page 2,  Race, Page 220,  Performance, Page 74,  Race, Page 252,  Space, Page 137,  Race, Page 221,  Space, Page 159,  Conclusion, Page 290,  Performance, Page 60,  Labor, Page 131,  Race, Page 229,  Race, Page 242,  Conclusion, Page 298,  Labor, Page 102,  Space, Page 184,  Space, Page 138,  Labor, Page 98,  Race, Page 224,  Space, Page 189,  Race, Page 248,  Space, Page 187,  Space, Page 182,  Space, Page 169,  Performance, Page 35,  Performance, Page 34,  Race, Page 251,  Space, Page 193,  Space, Page 162,  Race, Page 253,  Performance, Page 82,  Space, Page 163,  Space, Page 175,  Race, Page 231,  Space, Page 178,  Labor, Page 129,  Performance, Page 84,  Space, Page 156,  Space, Page 170,  Labor, Page 88,  Space, Page 172,  Race, Page 232,  Race, Page 230,  Space, Page 188,  Introduction, Page 16,  Space, Page 191,  Race, Page 225,  Space, Page 143,  Race, Page 258,  Performance, Page 76,  Race, Page 261,  Space, Page 196,  Introduction, Page 14,  Race, Page 213