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Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 9 of 19
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Conclusion, Page 286

The radical deformation of the body that Eisenstein referred to as plasmaticness, is performed in The Foghorn Leghorn (1948), as it had been earlier in Snow White (1932). Comedy is an exercise in repetition and, via the minstrel, oppression and social injustice are translated into gags that churn out a violent, abject, fantastic blackness, over and over again.
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1940s    1930s    Cartoons    Moving Image    Color    Warner Bros

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