Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 21 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 253

In the cartoons Snow White (1932), Minnie the Moocher (1932), and Old Man of the Mountain (1933), jazz great Cab Calloway was rotoscoped onto the ambiguous minstrel character Ko-Ko, turned into a ghostly dancing walrus, or made into a monstrous mountain man. These cartoons made direct connections between minstrelsy and white anxieties surrounding popular black culture.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Race, Page 253"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 21 of 25 Next page on path
Max Fleischer    Dave Fleischer    Bimbo    1930s    Ko-Ko the Clown    Cartoons    Betty Boop    Moving Image    Sound    Black and White

Related:  Labor, Page 96,  Labor, Page 128,  Race, Page 261,  Space, Page 165,  Introduction, Page 14,  Space, Page 187,  Race, Page 229,  Labor, Page 122,  Space, Page 191,  Performance, Page 50,  Race, Page 254,  Race, Page 231,  Introduction, Page 6,  Conclusion, Page 302,  Labor, Page 133,  Space, Page 177,  Conclusion, Page 286,  Space, Page 183,  Space, Page 172,  Space, Page 190,  Race, Page 225,  Space, Page 181,  Performance, Page 35,  Labor, Page 98,  Race, Page 221,  Space, Page 184,  Race, Page 220,  Performance, Page 74,  Performance, Page 46,  Labor, Page 123,  Introduction, Page 29,  Conclusion, Page 296,  Space, Page 163,  Space, Page 150,  Race, Page 230,  Introduction, Page 23,  Space, Page 178,  Space, Page 175,  Conclusion, Page 291,  Race, Page 204,  Space, Page 146,  Race, Page 232,  Conclusion, Page 292,  Race, Page 235,  Performance, Page 42,  Race, Page 258,  Labor, Page 88,  Space, Page 162,  Labor, Page 113,  Conclusion, Page 298,  Labor, Page 119,  Space, Page 138,  Introduction, Page 2,  Conclusion, Page 290,  Performance, Page 54,  Labor, Page 129,  Space, Page 152,  Labor, Page 110,  Performance, Page 52,  Performance, Page 84,  Space, Page 182,  Conclusion, Page 304,  Space, Page 194,  Space, Page 188,  Introduction, Page 21,  Conclusion, Page 289,  Performance, Page 47,  Conclusion, Page 273,  Space, Page 197,  Race, Page 252,  Race, Page 239,  Labor, Page 112,  Space, Page 141,  Space, Page 155,  Space, Page 156,  Race, Page 224,  Space, Page 143,  Race, Page 248,  Race, Page 247,  Space, Page 189,  Labor, Page 132,  Performance, Page 70,  Introduction, Page 4,  Labor, Page 97,  Space, Page 170,  Space, Page 193,  Performance, Page 77,  Performance, Page 45,  Race, Page 206,  Race, Page 251,  Performance, Page 72,  Space, Page 148,  Performance, Page 44,  Labor, Page 131,  Performance, Page 82,  Space, Page 171,  Conclusion, Page 284,  Conclusion, Page 300,  Performance, Page 60,  Labor, Page 109,  Space, Page 137,  Introduction, Page 30,  Performance, Page 41,  Race, Page 213,  Introduction, Page 1,  Performance, Page 34,  Space, Page 195,  Conclusion, Page 278,  Labor, Page 101,  Race, Page 219,  Conclusion, Page 303,  Conclusion, Page 275,  Performance, Page 43