Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 1 of 21
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 88

The Fleischer short Cartoon Factory (1924) parodies the intensive labor of animation while celebrating the Fleischers' fascination with the technologies of industrialization. It opens with Max Fleischer using an electric current to automate his pen (and torment Ko-Ko the Clown), but the device is replaced by an animated animating machine. This automated drawing device then wreaks havoc in Ko-Ko's world, so the clown turns the machine against Max, who then has to resist Ko-Ko's takeover of a rapidly fragmenting multi-dimensional space created by the machinery of/within the cartoon.

This sort of a struggle between producer and product was replayed over and over again in early American cartoons. It  underlined a fantastical performative relationship that was grounded in the tedious labor of animation.
  


Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Labor, Page 88"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 1 of 21 Next page on path
Max Fleischer    Dave Fleischer    Moving Image    1920s    Sound    Black and White    With Live Characters (Animators)    Out of the Inkwell    Cartoons    Ko-Ko the Clown

Related:  Space, Page 191,  Space, Page 148,  Space, Page 155,  Performance, Page 74,  Labor, Page 113,  Performance, Page 54,  Performance, Page 47,  Race, Page 229,  Conclusion, Page 289,  Space, Page 175,  Conclusion, Page 278,  Performance, Page 45,  Introduction, Page 29,  Performance, Page 77,  Race, Page 231,  Introduction, Page 14,  Labor, Page 96,  Space, Page 190,  Race, Page 220,  Race, Page 239,  Race, Page 235,  Performance, Page 34,  Space, Page 193,  Labor, Page 122,  Race, Page 248,  Race, Page 253,  Labor, Page 119,  Space, Page 194,  Labor, Page 128,  Introduction, Page 4,  Space, Page 184,  Space, Page 170,  Space, Page 165,  Conclusion, Page 298,  Space, Page 162,  Race, Page 254,  Labor, Page 133,  Race, Page 221,  Space, Page 188,  Conclusion, Page 268,  Performance, Page 50,  Performance, Page 60,  Space, Page 181,  Space, Page 143,  Race, Page 204,  Conclusion, Page 286,  Introduction, Page 1,  Performance, Page 42,  Race, Page 230,  Race, Page 252,  Space, Page 177,  Performance, Page 41,  Space, Page 146,  Labor, Page 132,  Labor, Page 110,  Race, Page 232,  Performance, Page 84,  Space, Page 182,  Labor, Page 129,  Performance, Page 35,  Space, Page 159,  Space, Page 152,  Introduction, Page 21,  Conclusion, Page 291,  Space, Page 150,  Labor, Page 123,  Race, Page 261,  Space, Page 138,  Conclusion, Page 304,  Conclusion, Page 290,  Conclusion, Page 284,  Labor, Page 109,  Race, Page 224,  Space, Page 187,  Performance, Page 46,  Performance, Page 43,  Race, Page 206,  Introduction, Page 30,  Conclusion, Page 296,  Labor, Page 98,  Introduction, Page 2,  Space, Page 172,  Performance, Page 72,  Space, Page 189,  Labor, Page 112,  Race, Page 247,  Space, Page 141,  Race, Page 225,  Space, Page 178,  Performance, Page 82,  Race, Page 213,  Race, Page 251,  Conclusion, Page 300,  Performance, Page 52,  Conclusion, Page 292,  Space, Page 183,  Space, Page 156,  Conclusion, Page 302,  Labor, Page 97,  Labor, Page 102,  Space, Page 169,  Performance, Page 44,  Space, Page 163,  Performance, Page 70,  Race, Page 258,  Performance, Page 76,  Labor, Page 101,  Introduction, Page 23,  Conclusion, Page 275,  Space, Page 197,  Introduction, Page 6,  Conclusion, Page 273,  Race, Page 242,  Space, Page 195,  Conclusion, Page 303,  Labor, Page 93,  Space, Page 166