Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 26 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 187

Commonly referred to as "jungle music," swing music became wildly popular in the American consciousness. Nightclub emcees and radio announcers tended to locate the ostensibly "black" cultural production as emanating from the jungles of Africa, New Orleans, or "Darktown" (aka Harlem).

Similarly, cartoons extended that racial geography into 2-D space, depicting jazz music as arising out of the urban ghettos of America - spaces which were portals to fantastic blackness.

For example, Clean Pastures located Harlem on the African continent, depicting an angelic "Pair-O-Dice" where segregation is only natural.

Similarly, the 1938 Walter Lantz short Voodoo In Harlem animated stereotypical Ubangi natives singing about voodoo practices taking place in Harlem. Springing forth from the fantastic blackness of the inkwell, the Ubangi leave behind a black spot, which is discovered by an African-American maid who is there to clean up the mess.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 187"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 26 of 36 Next page on path
Walter Lantz    Black and White    Color    With Live Characters (Animators)    1930s    Warner Bros    Cartoons    Moving Image    Sound

Related:  Race, Page 225,  Space, Page 189,  Conclusion, Page 289,  Introduction, Page 6,  Labor, Page 110,  Labor, Page 133,  Space, Page 193,  Performance, Page 46,  Introduction, Page 21,  Labor, Page 129,  Performance, Page 47,  Conclusion, Page 296,  Conclusion, Page 286,  Space, Page 190,  Labor, Page 132,  Race, Page 254,  Race, Page 204,  Race, Page 247,  Introduction, Page 29,  Labor, Page 109,  Conclusion, Page 292,  Race, Page 229,  Performance, Page 44,  Introduction, Page 14,  Performance, Page 42,  Space, Page 146,  Space, Page 195,  Space, Page 148,  Race, Page 258,  Space, Page 172,  Space, Page 141,  Performance, Page 43,  Race, Page 230,  Performance, Page 74,  Labor, Page 122,  Space, Page 194,  Race, Page 252,  Labor, Page 123,  Race, Page 231,  Conclusion, Page 298,  Space, Page 191,  Space, Page 178,  Space, Page 162,  Space, Page 165,  Race, Page 232,  Race, Page 220,  Labor, Page 112,  Race, Page 261,  Conclusion, Page 304,  Race, Page 213,  Conclusion, Page 300,  Performance, Page 60,  Space, Page 181,  Conclusion, Page 291,  Introduction, Page 2,  Labor, Page 128,  Race, Page 206,  Race, Page 224,  Race, Page 248,  Race, Page 251,  Conclusion, Page 275,  Space, Page 163,  Performance, Page 72,  Labor, Page 113,  Space, Page 143,  Performance, Page 77,  Space, Page 197,  Race, Page 221,  Conclusion, Page 302,  Space, Page 175,  Space, Page 177,  Performance, Page 52,  Race, Page 235,  Space, Page 182,  Space, Page 183,  Space, Page 150,  Introduction, Page 23,  Conclusion, Page 290,  Race, Page 253,  Space, Page 184,  Conclusion, Page 284,  Labor, Page 88,  Performance, Page 82,  Space, Page 171,  Conclusion, Page 278,  Race, Page 239,  Introduction, Page 4,  Performance, Page 35,  Performance, Page 84,  Labor, Page 98,  Labor, Page 131,  Performance, Page 34,  Space, Page 155,  Labor, Page 119,  Space, Page 152,  Performance, Page 50,  Introduction, Page 30,  Conclusion, Page 303,  Performance, Page 45,  Race, Page 219,  Space, Page 188,  Labor, Page 101,  Space, Page 138,  Space, Page 170,  Introduction, Page 1,  Performance, Page 41,  Performance, Page 54,  Conclusion, Page 273,  Performance, Page 70,  Space, Page 137